Artnet News Pro Paris + Is Entering a Packed Art-Fair Landscape. Is There Enough Business to Go Around? Some veteran art-market figures fear the arrival for Paris + par Art Basel will have a ripple effect on fairs they have come to rely on. By Anna Sansom, Oct 9, 2022
The Back Room The Back Room: Out With the Old This week: a new museum deaccessioning standard, Frank Stella’s extended family drama, bidders go gaga for Kaga, and much more. By Tim Schneider & Naomi Rea, Oct 7, 2022
Wet Paint The Gramercy Park Hotel Officially Liquidates Its Inventory, Drama Among Frank Stella’s Children, and More Juicy Art World Gossip Plus, which famous tennis player has eyes on work by Adrian Ghenie? Which mega-gallery is making a mint on Robert Nava prints? Read on for answers. By Annie Armstrong, Oct 6, 2022
Wet Paint Wet Paint In The Wild: The Kapp Kapp Brothers Party at the Odeon and Blaze Through the Tribeca Scene With a Band of Artists The twin gallerists take us out and about in Tribeca. By Annie Armstrong, Oct 5, 2022
The Gray Market In a World Where Decisions Are Driven by Data, Art Leaders Risk Making Big Mistakes—by Not Properly Reading the Numbers Our columnist looks at some data-based scandals from other fields—and argues that 'Dataism' might help art avoid the same fate. By Tim Schneider, Oct 4, 2022
Artnet News Pro Hot Lots: 6 Works That Completely Upended Expectations at the 2022 Modern and Contemporary Day Sales in New York There was heated competition last week for both rising new stars and '80s veterans alike. By Artnet News, Oct 3, 2022
Ask an Art Advisor Everyone Is Buzzing About Paris+, So Should I Skip Frieze London This Year? Here’s What a Savvy Art Advisor Has to Say Plus, should I buy a painting I don't like by an artist I do like, and how important is it to see a work in person before buying it? By Wendy Goldsmith, Oct 3, 2022
The Art Detective Unfairly Imprisoned, He Labored on a Chain Gang for Years. Now Winfred Rembert’s Paintings About That Experience Are Selling for Nearly $300,000 Prices for the visceral art of Winfred Rembert, the late Pulitzer Prize winner, have tripled in six months. By Katya Kazakina, Sep 30, 2022
The Back Room The Back Room: Bet on Betrayal This week: why artists leave their galleries, a Cuban art gem hits the block, a mega-gallery bankrolls a literary mag, and much more. By Naomi Rea, Sep 30, 2022
Wet Paint Wet Paint in the Wild: Curator Roya Sachs Goes Backstage to Produce Some Art Wizardry at a Psychedelic Music Festival The curator takes us along for an action-packed trip to Format music festival in the Ozarks. By Annie Armstrong, Sep 29, 2022
Artnet News Pro How Does an Art Fair Booth Get Nominated for the Turner Prize? A Q&A With Blindspot Gallery’s Founder Mimi Chun The Hong Kong gallerist talks returning to Frieze London and the challenges facing the market at home. By Vivienne Chow, Sep 28, 2022
Artnet News Pro Bonhams Has Been Acquiring Its Competitors at Warp Speed. Here’s Why the Middle-Market Player Wants a Network, Not an Empire The house has found a winning strategy in accelerating key trends at play in the auction realm. By Eileen Kinsella, Sep 27, 2022
Artnet News Pro Meet 5 Japanese Collectors Who Are Putting Their Country’s Art Scene on the Road to Resurgence These collectors exemplify Japan’s search for new beginnings in the global market. By Jennifer Pastore, Sep 25, 2022
The Art Detective Why Do Artists Leave Their Galleries? It’s About Money—and a Whole Lot More The announcements of new artist-dealer relationships are coming at an increasingly fast clip. Here's what's driving the musical chairs. By Katya Kazakina, Sep 23, 2022
Wet Paint Wet Paint in the Wild: Gagosian Director Adam Cohen Armorys Hard With Dan Colen and Rashid Johnson The proprietor of A Hug from the Art World takes us along for an action-packed week. By Annie Armstrong, Sep 22, 2022
