Wet Paint Wet Paint in the Wild: Dealer Diego Diez Hunts for Future Art Stars at a Top Residency Program During Amsterdam Art Week The owner and director of Amsterdam's Diez Gallery brings us along for a week in his life. By Annie Armstrong, May 26, 2022
Wet Paint Meet the Young Collectors on Gagosian’s Radar, Vanuatuans React to Inigo Philbrick’s Sentence, and More Juicy Art-World Gossip Plus, which art-collecting divorcée spontaneously cut up a Balenciaga dress? And which beloved museum watering hole is closing forever? By Annie Armstrong, May 26, 2022
Artnet News Pro The New Digital Divide: Sale of Warhol Disk at Bonhams Exposes a Growing Rift Between Original Hardware and Blockchain Tech Why are collectors bypassing art-historical significance in favor of NFTs? By Dorian Batycka, May 26, 2022
Artnet News Pro Hot Lots: 7 Artworks That Spectacularly Outperformed Expectations During New York’s Spring 2022 Day Sales Work by Louise Nevelson, Erik Parker, Jordy Kerwick, and other artists shattered their estimates. By Artnet News, May 26, 2022
Artnet News Pro At Taipei Dangdai, Dealers Report Swift Sales and Sold-Out Booths, a Strong Sign for the Growing Regional Market Buyers tended to be under 50, and showed a particularly strong interest in international art. By Jo Lawson-Tancred, May 25, 2022
The Gray Market Why Auction Houses Might Keep One Foot Off the Crypto Bandwagon After a Volatile Year (and Other Insights) Buyers take on more risk with crypto payments than auction houses do. By Tim Schneider, May 25, 2022
The Appraisal After a $15.3 Million Auction Sale, Ernie Barnes Collectors Might Soon Try to Cash in. Can the Market Survive a Flood? We took to Artnet’s price database to investigate. By Naomi Rea, May 24, 2022
Artnet News Pro Price Check! Here’s What Sold—and for How Much—at Frieze New York 2022 Here's what dealers say they sold. By Caroline Goldstein, May 24, 2022
Artnet News Pro Who Won Auction Week? Here Are 11 Key Takeaways From New York’s Brain-Bending $2.8 Billion Spring Sales From the priciest work to the fastest flip, here are our parting observations from New York's marquee auctions this May. By Artnet News, May 23, 2022
The Hammer Simon de Pury on Frieze Week’s Return of the Art-Market Status Quo, and Why Nothing Beats the Thrill of the Auction Room Despite the persuasive powers of private dealer’s mind games, public competition never fails to drive up prices. By Simon de Pury, May 23, 2022
Artnet News Pro An Aboriginal Art Expert Picks the Best 8 Lots by Australian Indigenous Artists Hitting the Block This Week at Sotheby’s The auction house's annual Aboriginal art auction has moved from a low-key winter slot to the marquee month of May this year. By Dan F. Stapleton, May 23, 2022
Artnet News Pro The 1-54 African Art Fair Is a Ripe Place for Talent-Spotting. Here Are 5 Rising Stars We Scouted at the New York Edition The fair's first Harlem edition was full of buzz-worthy art. By Sarah Cascone, May 23, 2022
Artnet News Pro Here Are the 15 Most Expensive Artworks Sold at Auction Around the World in April 2022 Sotheby's Hong Kong sales made up the majority of the top lots in April. By Caroline Goldstein, May 22, 2022
Wet Paint Wet Paint in the Wild: ‘Boston Art Review’ Founder Jameson Johnson Photographs Her Way Around Beantown In this week's edition, Johnson runs into Mickalene Thomas. By Annie Armstrong, May 20, 2022
The Back Room The Back Room: Sequel Success This week: wrapping up New York’s auctions, a stampede of artists switching stables, a verbal joust in a bidding war, and much more. By Tim Schneider, May 20, 2022
