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22 December 2024
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Christian Viveros-Fauné
Art and Culture Critic
Latest from Christian Viveros-Fauné
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Opinion
Run, Don’t Walk, to See Diane Arbus’s Pictures at the Met Breuer
by
Christian Viveros-Fauné
Opinion
Black Aesthetics Trump Starchitecture at the Fondazione Prada
by
Christian Viveros-Fauné
Reviews
Rembrandt’s First Masterpiece at the Morgan Library Is Portrait of #Regrexit
by
Christian Viveros-Fauné
On View
Danny Lyon’s Photos at the Whitney Museum Ask ‘What’s Going On?’
by
Christian Viveros-Fauné
Art & Exhibitions
Nan Goldin’s ‘Ballad of Sexual Dependency’ Lights Up MoMA
by
Christian Viveros-Fauné
Art Fairs
Is Art Basel Parent Company MCH Buying Art Brussels?
by
Christian Viveros-Fauné
Galleries
Panama Papers Reveal Offshore Holding Companies of Art World A-Listers Dominique Lévy and Ella Fontanals-Cisneros
by
Christian Viveros-Fauné
Art Guides
Newly-Revealed Documents Show Sotheby’s Contacted Helly Nahmad About Modigliani Claim
by
Eileen Kinsella
&
Christian Viveros-Fauné
Law & Politics
What to Expect from the Release of the Panama Papers Searchable Database
by
Christian Viveros-Fauné
Art & Exhibitions
The Experience of Meeting Gerhard Richter: Seismic
by
Christian Viveros-Fauné
Art Fairs
Alternative ‘Seven’ Fair Pokes Fun at Art World Elite
by
Christian Viveros-Fauné
Art World
10 of the Art World’s Most Powerful Lawyers
by
Christian Viveros-Fauné
Art World
It’s Official: Javier Pes Will Take the Helm at The Art Newspaper
by
Christian Viveros-Fauné
Art & Exhibitions
Paul Allen’s Traveling Show of Landscape Paintings Is a Plutocrat’s Plaything
by
Christian Viveros-Fauné
Art & Exhibitions
Cao Fei’s First Solo US Museum Show Channels a Dystopic Future China
by
Christian Viveros-Fauné
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