Christian Viveros-Fauné

Art and Culture Critic
Latest from Christian Viveros-Fauné
Art & Exhibitions

Why Is the Havana Biennial Afraid of Tania Bruguera and Is She the Cuban Ai Wei Wei?

by Christian Viveros-Fauné

Opinion

What Are the 10 Best Works of Art in New York Museums? Let the Debate Begin

by Christian Viveros-Fauné

Art & Exhibitions

Alec Soth’s Photographs of Hard-Luck America Dazzle

by Christian Viveros-Fauné

Art World

Beijing’s Caochangdi Village Mixes First-Rate Art and Live Poultry

by Christian Viveros-Fauné

Art & Exhibitions

How Tania Bruguera’s ‘Whisper’ Became the Performance Heard Round the World

by Christian Viveros-Fauné

Galleries

The 50 Most Exciting Artists of 2014

by Christian Viveros-Fauné

Art & Exhibitions

Douglas Gordon at the Armory Is All Flash and No Follow-Through

by Christian Viveros-Fauné

Art Fairs

Have Art Fairs Destroyed Art? Zombie Abstraction and Dumb Painting Ruled in Miami

by Christian Viveros-Fauné

Art & Exhibitions

Why is Eric Fischl Playing With Dolls While the Nation is Rioting?

by Christian Viveros-Fauné

Art & Exhibitions

Neo Rauch’s Paintings at David Zwirner Take a Page from the Brothers Grimm

by Christian Viveros-Fauné

Reviews

Prospect.3 Trains Its Eye Provocatively on the Art World’s Social Failings

by Christian Viveros-Fauné

Art & Exhibitions

The Zero Group Scores a Big Goose Egg at the Guggenheim

by Christian Viveros-Fauné

Art & Exhibitions

“A Proximity of Consciousness” Celebrates Art and Activism in Chicago

by Christian Viveros-Fauné

Art & Exhibitions

Justine Kurland at Mitchell-Innes & Nash: Finding Grace in the Garage

by Christian Viveros-Fauné

Reviews

The Shock of the Old in the Prado’s ‘El Greco and Modern Painting’

by Christian Viveros-Fauné