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05 December 2024
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JJ Charlesworth
Latest from JJ Charlesworth
Analysis
JJ Charlesworth on Why the Art Market Is a Bubble That’s Not Going to Burst
by
JJ Charlesworth
Reviews
Is Duane Hanson’s Sentimentality for Working People Noble or Just Patronizing?
by
JJ Charlesworth
Art & Exhibitions
Playing Politics: JJ Charlesworth on Why Art World Hypocrisy Stars at the 56th Venice Biennale
by
JJ Charlesworth
Art & Exhibitions
Something Is Desperately Wrong With the Tate and Is Nicholas Serota to Blame?
by
JJ Charlesworth
Art & Exhibitions
Christina Mackie Sets Duveen Galleries Ablaze with Color at Tate Britain
by
JJ Charlesworth
Opinion
Hans Haacke Fourth Plinth ‘Gift Horse’: Is This Propaganda We Can All Agree With?
by
JJ Charlesworth
Art World
The Cultural Boycott of Israel Isn’t Solidarity, It’s Condescension
by
JJ Charlesworth
Art & Exhibitions
Star Artists Curate Revelatory Survey of British History at London’s Hayward Gallery
by
JJ Charlesworth
Politics
Why Self-Censorship of Controversial Artwork is Wrong
by
JJ Charlesworth
Art & Exhibitions
Can Abstract Art Still Be Radical?
by
JJ Charlesworth
Reviews
The Ego-Centric Art World is Killing Art
by
JJ Charlesworth
Art & Exhibitions
Joseph Kosuth: Hot, Bright, and Requiring Lots of Explanation
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JJ Charlesworth
Art World
Turner Prize: Confused Critics Demand Relevance!
by
JJ Charlesworth
Art & Exhibitions
Is Allen Jones Still Sexy After All These Years?
by
JJ Charlesworth
Art & Exhibitions
Rembrandt, Magnificent in Old Age at London’s National Gallery
by
JJ Charlesworth
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