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30 October 2024
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About
Katya Kazakina
Senior Reporter
Latest from Katya Kazakina
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The Art Detective
Two Contemporary Female Painters Triumphed at Sotheby’s. Who Came Out on Top Depends on How You Do the Math
by
Katya Kazakina
The Art Detective
How Dealer Leo Koenig Scored the Steal of This $2.2 Billion Auction Season
by
Katya Kazakina
Artnet News Pro
By the Numbers: A Breakdown of Results From Sotheby’s the Now and Contemporary Evening Sales, November 2023
by
Katya Kazakina
Artnet News Pro
By the Numbers: A Breakdown of Results From Christie’s 21st Century Evening Sale, November 2023
by
Katya Kazakina
The Art Detective
Revealed: The Major Mystery Consignors of New York’s Multi-Billion-Dollar Fall Auction Season
by
Katya Kazakina
The Art Detective
The Horse Trading Behind the Ecstatic, $3 Billion Mark Rothko Exhibition at Fondation Louis Vuitton
by
Katya Kazakina
The Art Detective
Airlifted Giacomettis in Tel Aviv, Canceled Doha Celebrations, and the Deepening Rift in the Art World Over Israel
by
Katya Kazakina
Art Fairs
A $40 Million Rothko Painting From the Estate of Thomas H. Lee Will Test the Market at Paris+ This Week
by
Katya Kazakina
The Art Detective
‘Where Are You, People?’ The Art World’s Deafening Silence After the Hamas Attack in Israel
by
Katya Kazakina
The Art Detective
A New Titan Has Arrived: Inside White Cube Gallery’s Extravagant Opening on Madison Avenue
by
Katya Kazakina
Market
A Slew of Rarefied Art Tenants, Including Gagosian Gallery, Will Have to Relocate After 980 Madison Avenue Lease Deal
by
Katya Kazakina
The Art Detective
Questions About World War II Ties Again Haunt Christie’s as a Swiss Museum Plans to Sell Three Prized Cézanne Paintings
by
Katya Kazakina
Auctions
Oops! Bill Acquavella Just Blew the Lid on a Multi-Million Basquiat Slated for Christie’s Auction in November
by
Katya Kazakina
The Art Detective
A ‘Tsunami of Lawsuits’ Hits the Art World as Money Gets Tight, Regulators Descend, and the Music Finally Stops
by
Katya Kazakina
The Art Detective
Armory Week’s Lackluster Commerce Wasn’t Happy News for the Art Market. But the Real Test Is Yet to Come
by
Katya Kazakina
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