Katya Kazakina

Senior Reporter
Latest from Katya Kazakina
The Art Detective

Sterling Ruby’s New Paintings Sold for $550,000 Each at Frieze New York. Are They Worth That?

by Katya Kazakina

Art World

What Is Esther? A Mysteriously Named Event Experiments with What an Art Fair Can Be

by Katya Kazakina

The Art Detective

Private Foundations Made Artists and Dealers Rich. What If Many Are Just ‘Tools for Flippers’?

by Katya Kazakina

The Back Room

Work of the Week: Rudolf Stingel’s Gagosian Exhibition in New York

by Katya Kazakina

Art World

An Unexpected Player Has Begun Providing Auction Guarantees

by Katya Kazakina

Art Detective

Is It Time to Cut Art Prices? Long Considered Taboo, the Idea Is Gaining Traction

by Katya Kazakina

The Art Detective

‘If It Goes to Zero—Fine’: Why Do Collectors Pay Wild Prices for New Art?

by Katya Kazakina

Art Detective

‘It Was Her Life’: Major Miami Collection Heads to Auction, Following Founder’s Death

by Katya Kazakina

Analysis

5 Questions for Art Advisor and Collector Patricia Marshall About How Paris’s Art Market Can Reach the Next Level

by Katya Kazakina

The Art Detective

‘It’s Not a Soft Landing’: Contemporary Art Prices Come Crashing Down. Is This the End?

by Katya Kazakina

The Back Room

Work of the Week: James Rosenquist’s ‘F-111 (south) (west) (north) (east) (G. 73)’

by Katya Kazakina

The Art Detective

A Mysterious Brice Marden Painting Is Auction-Bound, and the Art Detective Is on the Case

by Katya Kazakina

Analysis

How Auctions Became the Ultimate Form of Art Market Theater

by Katya Kazakina

The Art Detective

Jeff Koons’s Art Is on the Moon, but His Prices Have Cratered. Can Power Players Reignite His Market?

by Katya Kazakina

The Art Detective

Should Museums Show Art Owned by Patrons? It’s Tempting. It Can Also Blow Up

by Katya Kazakina