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The Rubells’ New D.C. Museum Delivers on a Promise to Grow the City’s Art Scene—And Corrects Oversights at Other Institutions

by Kriston Capps

The National Museum of Women in the Arts in Washington, D.C., Has Turned Its Facade Into a Massive Feminist Billboard

by Kriston Capps

The National Gallery of Art Just Discovered That One of Its Four Vermeer Paintings Wasn’t Actually Painted by Vermeer

by Kriston Capps

The Carnegie International Tackles U.S. Hegemony. But It Doesn’t Do Much to Stand Out on the Global Biennial Circuit

by Kriston Capps

Painter Sam Gilliam Spent His Entire Career in Washington, D.C. Here’s How the City Sustained Him When the Art World Wasn’t Watching

by Kriston Capps

With ‘Afro-Atlantic Histories,’ the Often-Staid National Gallery of Art in Washington Finally Acknowledges Contributions It Long Ignored

by Kriston Capps