Pop Culture
Who Wore It Best? Here Are 8 Celebrities Who Are the Spitting Image of Ancient Sculptures
Is that an ancient Egyptian statue or a bust of the King of Pop?
Is that an ancient Egyptian statue or a bust of the King of Pop?
Richard Whiddington ShareShare This Article
In 2018, back when artificial intelligence was seemingly the stuff of science fiction films rather than our quotidian reality, Google introduced the ArtSelfie as part of its Google Arts & Culture app. The feature encouraged people to upload their photo and find their artistic doppelgänger from the collections of hundreds of art institutions. Tens of millions did so, including many celebrities, who launched something of a trend by posting their side-by-sides to social media.
The conclusions of Google’s computer vision technology tended to settle on paintings and sketches, but in the hierarchy of genres, sculpture reigns supreme. Here, we present eight celebrities and their uncanny stone and marble lookalikes.
Head to the Wikipedia page of Roman emperor Claudius and you’ll find Britain’s suavest hunk looking back at you. The bust is housed in Naples’s National Archaeological Museum and depicts a mild-mannered emperor crowned with a laurel garland. Claudius is considered one of Rome’s exemplary rulers, having improved the judicial system, increased women’s privileges, and expanded the empire to include North Africa and Britain. Surely Craig is a leading candidate for a Claudius biopic.
Antoni Gaudi carved well-known biblical episodes into the exterior of Barcelona’s Segrada Familia. One scene depicts the arrival of the three wise men in Bethlehem. Gaudi’s hooded Gaspar bears an uncanny resemblance to a scruffy-faced Branson. You sense the serial entrepreneur would appreciate the image of himself kneeling before the Virgin, less so the 140 years (and counting) taken to construct the building he’s occupying.
In Hollywood, Wilson has carved a niche as the affable, happy-go-lucky American—hardly the embodiment of serious national values like independence and freedom then. But squint and you can see Wilson’s face glazing out over New York Bay. The bold, ruler-straight nose of Frederic-Auguste Bartholdi’s 1875 copper covered statue does the trick.
Donald Trump infamously lobbied South Dakota’s Governor Kristi Noem to have his face chiseled into America’s most famous chunk of granite. Close need not pull any such shenanigans, she’s right there in the face of George Washington and his stoic expression. This perhaps says more about the artistry of Gutzon Borglum and the angle from which Rushmore is observed than as any true similarities between America’s first president and one of its greatest actors.
There was confusion and public mockery in 2011 when a statue of Jackson appeared on the banks of the River Thames. The discovery of this 3,000-year-old Egyptian sculpture in Chicago’s Field Museum of Natural History caused a very different reaction. After his death in 2009, it became something of a pilgrimage point for locals. The similarity rests in the corners of the mouth and the vacant nose.
This 2nd-century C.E. Roman sculpture was the star lot when it appeared at a Bonhams auction in 2008. So much so, both the selling dealer and the auction house took to calling it “Elvis.” It’s not hard to see why. The work of marble was originally affixed to the corner of a sarcophagus corner and the sweep of its quiff and bold jaw calls up the great American crooner.
Hopkins’s long career has seen him play some of Shakespeare’s greatest characters, a Marvel god, an iconic cannibal, and Richard Nixon. This 2nd century C.E. bust of Socrates housed in the Vatican suggests the Welsh actor would be a good match to play one of history’s most influential philosophers.
Best known for his role as the ornery libertarian Ron Swanson in TV series Parks and Recreation, Offerman finds his likeness in the sculpture of another actor: Edwin Forrest, a giant of the 19th-century stage. Created by the artist Thomas Ball, the sculpture stood outside Forrest’s Philadelphia home until his death in 1872. Today it stands inside the city’s Walnut Street Theatre.
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