Op-Ed Gallerist Micki Meng on Short-Sighted Auction Houses, Art-Fair Overdevelopment, and More 'Who is in charge here?' By Micki Meng, Oct 1, 2024
Opinion Dear Artists… A veteran dealer reveals 5 things artists must do to succeed in the cutthroat art industry. By The Anonymous Art Ambassador, Sep 19, 2024
Art Criticism A Neo-Rococo Movement Is On the Rise—But What Does It All Mean? This sumptuous style, which is being revived by a growing cohort of artists, is like a cornucopia for complex meanings. By Katie White, Aug 16, 2024
Opinion Dear Collectors… A veteran dealer offers some blunt advice to art buyers. For one thing, 'Don't waste our time!' By The Anonymous Art Ambassador, Aug 5, 2024
Op-Ed Museums Rely on an Aging Group of Major Donors. That Needs to Change A new generation of collectors is eager to support the arts, says Mazdak Sanii, founder of Avant Arte. By Mazdak Sanii, Aug 4, 2024
Art Criticism Performance Optimisation: Are Algorithms Changing Performance Art? On social media, fragments and edits build a stripped down idea of what is trending in performance art. By Kate Brown, Jun 17, 2024
Op-Ed Museums Must Adapt to Survive. There’s a Right and a Wrong Way There's one key issue to keep in mind when museums talk about embracing new commercial endeavors. By Natasha Degen, Jun 9, 2024
Art Criticism ‘Foreigners Everywhere,’ Unpacked: On the ‘Brazilianization’ of the Art World Part 3 of a 3-part essay on the 60th Venice Biennale, curated by Adriano Pedrosa. By Ben Davis, May 31, 2024
Art Criticism ‘Foreigners Everywhere,’ Unpacked: What a Biennale Built on Cosmopolitan Myth-Making Leaves Out Part 2 of a 3-part essay on the 60th Venice Biennale, curated by Adriano Pedrosa. By Ben Davis, May 18, 2024
Art Criticism ‘Foreigners Everywhere,’ Unpacked: What the Venice Biennale’s Flipped Art History Really Means Part 1 of a 3-part essay on the 60th Venice Biennale, curated by Adriano Pedrosa. By Ben Davis, May 15, 2024
Art Criticism At Gagosian, Maurizio Cattelan Offers a Furtive Fountain A rare show of new work by the Italian artist features a vaguely indecent sculpture. By Andrew Russeth, Apr 30, 2024
Opinion The Vatican’s Pavilion at the Venice Biennale Is Set Inside a Women’s Prison. Who Is It Really For? We took a trip inside the Holy See's exhibition, which includes pieces by Maurizio Cattelan, Claire Fontaine, and more. By Naomi Rea, Apr 18, 2024
Art Criticism This Year’s Venice Biennale Is Expansive but Manageable—and Earnest to a Fault First impressions on "Foreigners Everywhere." By Ben Davis, Apr 18, 2024
Opinion The ‘Dissonant Chorus’ of the 2024 Whitney Biennial Lost Me What do the politics of this show add up to? By Danielle Jackson, Apr 10, 2024
Art Criticism 6 Powerful Highlights From the Met’s Blockbuster Harlem Renaissance Show "The Harlem Renaissance and Transatlantic Modernism" showcases a dazzling array of invention by figures familiar and obscure. By Ben Davis, Feb 27, 2024
