Andrew Goldstein, Author at artnet News

Auctions

5 Reasons Why It’s So Weird That a Little-Known Saudi Prince Bought the ‘Salvator Mundi’

We break down the New York Times's revelation about the buyer of the $450.3 million painting.

By Andrew Goldstein & Julia Halperin, Dec 6, 2017

Art World

Amy Sherald, Michelle Obama’s Chosen Portraitist, Is Now a Bona Fide Art-Market Success Story

All the in-demand artist's paintings have sold at the Untitled Art Fair—and a 2020 retrospective is already in the works.

By Andrew Goldstein, Dec 6, 2017

People

Leo Xu, David Zwirner’s New Hong Kong Ace, on the Heady Opportunities China Holds for Western Galleries

On the heels of his recent jump to David Zwirner, the dealer discusses the future of the art market in China.

By Andrew Goldstein, Nov 9, 2017

Art World

From Jesus Christ’s Arrival at Christie’s to Trump’s UNESCO Snub: The Best & Worst of the Art World This Week

Catch up on the week's art news—fast.

By Andrew Goldstein, Oct 15, 2017

Art Fairs

‘We’re Stripping Away All the Noise’: The Great Julian Schnabel Reboot Continues at Frieze Masters

At Blum & Poe, the effort is to refocus attention away from "the personality."

By Andrew Goldstein, Oct 6, 2017

Art Fairs

Got $750,000? Here Are 10 Truly Extraordinary Artworks You Can Buy at Frieze Masters

Need a Baroque painting? Perhaps a sarcophagus? You've come to the right place.

By Andrew Goldstein, Oct 5, 2017

Exhibitions

‘Theater of the World’ Curator Alexandra Munroe on Why Americans Must Understand Chinese Art for Their Own Good

The Guggenheim curator behind this fall's most controversial show explains how she integrated Chinese artists into the contemporary canon.

By Andrew Goldstein, Oct 2, 2017

Exhibitions

The Guggenheim’s Alexandra Munroe on Why ‘The Theater of the World’ Was Intended to Be Brutal

The curator explains the origins of the exhibition and the thinking behind its most controversial elements.

By Andrew Goldstein, Sep 26, 2017

Auctions

Phillips CEO Edward Dolman on His Formula for Outfoxing Christie’s and Sotheby’s (Hint: It Involves Guarantees)

In the last installment of a two-part interview, artnet News's Andrew Goldstein talks China, guarantees, and expansion with the Phillips CEO.

By Andrew Goldstein, Sep 19, 2017

Auctions

Edward Dolman on Why a Changing Art Market Could Give Phillips the Edge in the Auction Wars

The CEO of the auction house spoke to artnet News's Andrew Goldstein about his read of the art-market battlefield.

By Andrew Goldstein, Sep 18, 2017

People

Mutiny at the Met? Thomas Campbell on the Price of Modernization at America’s Greatest Museum

The former Met director spoke to artnet News's Andrew Goldstein about the achievements of his tenure—and their unexpected side effects.

By Andrew Goldstein, Sep 6, 2017

People

From Tapestry to Twombly: Thomas Campbell on Why He Became the Met’s Surprise Champion of New Art

The former Met director spoke to artnet News's Andrew Goldstein about how a star turn as "Tapestry Tom" gave him the opportunity of a lifetime.

By Andrew Goldstein, Sep 5, 2017

People

New Yorker Cartoon Editor Emma Allen on How to Be Funny in the Age of Instagram, VR, and Donald Trump

artnet's Andrew Goldstein sat down with the young humor dynamo to discuss her plans at the magazine.

By Andrew Goldstein, Aug 28, 2017

People

Philippe de Montebello on How the Metropolitan Museum of Art Can Reclaim Its Glory

The former Met director also discusses his new job at Acquavella.

By Andrew Goldstein, Aug 1, 2017

People

Philippe de Montebello on His Plan to Revive New York’s Most Underappreciated Art Museum

The former Met director has big plans for the Hispanic Society. (They may involve Jeff Koons.)

By Andrew Goldstein, Jul 31, 2017

Andrew Goldstein

Editor-in-Chief

5 Reasons Why It’s So Weird That a Little-Known Saudi Prince Bought the ‘Salvator Mundi’

Amy Sherald, Michelle Obama’s Chosen Portraitist, Is Now a Bona Fide Art-Market Success Story

Leo Xu, David Zwirner’s New Hong Kong Ace, on the Heady Opportunities China Holds for Western Galleries

From Jesus Christ’s Arrival at Christie’s to Trump’s UNESCO Snub: The Best & Worst of the Art World This Week

‘We’re Stripping Away All the Noise’: The Great Julian Schnabel Reboot Continues at Frieze Masters

Got $750,000? Here Are 10 Truly Extraordinary Artworks You Can Buy at Frieze Masters

‘Theater of the World’ Curator Alexandra Munroe on Why Americans Must Understand Chinese Art for Their Own Good

The Guggenheim’s Alexandra Munroe on Why ‘The Theater of the World’ Was Intended to Be Brutal

Phillips CEO Edward Dolman on His Formula for Outfoxing Christie’s and Sotheby’s (Hint: It Involves Guarantees)

Edward Dolman on Why a Changing Art Market Could Give Phillips the Edge in the Auction Wars

Mutiny at the Met? Thomas Campbell on the Price of Modernization at America’s Greatest Museum

From Tapestry to Twombly: Thomas Campbell on Why He Became the Met’s Surprise Champion of New Art

New Yorker Cartoon Editor Emma Allen on How to Be Funny in the Age of Instagram, VR, and Donald Trump

Philippe de Montebello on How the Metropolitan Museum of Art Can Reclaim Its Glory

Philippe de Montebello on His Plan to Revive New York’s Most Underappreciated Art Museum

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