Andrew Goldstein

Latest from Andrew Goldstein
Auctions

5 Reasons Why It’s So Weird That a Little-Known Saudi Prince Bought the ‘Salvator Mundi’

by Andrew Goldstein & Julia Halperin

Art World

Amy Sherald, Michelle Obama’s Chosen Portraitist, Is Now a Bona Fide Art-Market Success Story

by Andrew Goldstein

People

Leo Xu, David Zwirner’s New Hong Kong Ace, on the Heady Opportunities China Holds for Western Galleries

by Andrew Goldstein

Art World

From Jesus Christ’s Arrival at Christie’s to Trump’s UNESCO Snub: The Best & Worst of the Art World This Week

by Andrew Goldstein

Art Fairs

‘We’re Stripping Away All the Noise’: The Great Julian Schnabel Reboot Continues at Frieze Masters

by Andrew Goldstein

Art Fairs

Got $750,000? Here Are 10 Truly Extraordinary Artworks You Can Buy at Frieze Masters

by Andrew Goldstein

Art & Exhibitions

‘Theater of the World’ Curator Alexandra Munroe on Why Americans Must Understand Chinese Art for Their Own Good

by Andrew Goldstein

Art & Exhibitions

The Guggenheim’s Alexandra Munroe on Why ‘The Theater of the World’ Was Intended to Be Brutal

by Andrew Goldstein

Auctions

Phillips CEO Edward Dolman on His Formula for Outfoxing Christie’s and Sotheby’s (Hint: It Involves Guarantees)

by Andrew Goldstein

Auctions

Edward Dolman on Why a Changing Art Market Could Give Phillips the Edge in the Auction Wars

by Andrew Goldstein

People

Mutiny at the Met? Thomas Campbell on the Price of Modernization at America’s Greatest Museum

by Andrew Goldstein

People

From Tapestry to Twombly: Thomas Campbell on Why He Became the Met’s Surprise Champion of New Art

by Andrew Goldstein

People

New Yorker Cartoon Editor Emma Allen on How to Be Funny in the Age of Instagram, VR, and Donald Trump

by Andrew Goldstein

People

Philippe de Montebello on How the Metropolitan Museum of Art Can Reclaim Its Glory

by Andrew Goldstein

People

Philippe de Montebello on His Plan to Revive New York’s Most Underappreciated Art Museum

by Andrew Goldstein