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21 November 2024
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Christian Viveros-Fauné
Art and Culture Critic
Latest from Christian Viveros-Fauné
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Art & Exhibitions
In Praise of Rineke Dijkstra and Jeff Wall’s Slow Images at Marian Goodman
by
Christian Viveros-Fauné
Opinion
Christian Viveros-Fauné Slams ‘New York Times’ Profile of Phong Bui for Airbrushing History
by
Christian Viveros-Fauné
Galleries
Wolfgang Tillmans’s Relentlessly Boho Imagery at David Zwirner is Inventive But Ugly
by
Christian Viveros-Fauné
Art & Exhibitions
Christian Viveros-Fauné on Why Greater New York Signals the Start of a New Confusion
by
Christian Viveros-Fauné
Reviews
Lisa Yuskavage’s Brood of Luminous Filthy Figures Rocks the Rose Art Museum
by
Christian Viveros-Fauné
Art & Exhibitions
Freaks and Geeks Dominate Matthew Marks Survey of Alternative Artists Since the 1960s
by
Christian Viveros-Fauné
Art & Exhibitions
Doris Salcedo’s Uncanny Installations at the Guggenheim Capture Unspeakable Horrors
by
Christian Viveros-Fauné
Art & Exhibitions
Jeffrey Deitch’s “Coney Art Walls” Exploits Artists for Real Estate Ploy
by
Christian Viveros-Fauné
Art Fairs
Will the Havana Biennial 2015 Be a Bonanza for Cuban Artists?
by
Christian Viveros-Fauné
Opinion
VIDEO: Strictly Critical Finds Beauty Rules in Van Gogh’s Flowers at the Metropolitan Museum
by
Aaron Sherman
&
Christian Viveros-Fauné
&
Blake Gopnik
Art & Exhibitions
Zanele Muholi’s Heartbreaking Photographs at the Brooklyn Museum Take Stand Against Gay Bashing
by
Christian Viveros-Fauné
Art & Exhibitions
Christian Viveros-Fauné Selects 15 Artists to Watch in 2015
by
Christian Viveros-Fauné
Events and Parties
MoMA Curator Klaus Biesenbach Should Be Fired Over Björk Show Debacle
by
Christian Viveros-Fauné
Art & Exhibitions
Cuban Government Brands Tania Bruguera a Criminal
by
Christian Viveros-Fauné
Galleries
Alex Da Corte’s Twisted Installation at Luxembourg and Dayan Channels ‘Blue Velvet’ and ‘Pee Wee’s Playhouse’
by
Christian Viveros-Fauné
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