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05 December 2024
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Folasade Ologundudu
Latest from Folasade Ologundudu
Art World
Is Atlanta’s Art Scene Finally Achieving Critical Mass? There Are Big Signs That Point to ‘Yes’
by
Folasade Ologundudu
Galleries
At 26, Cierra Britton Is Already Fulfilling Her Dream: Opening an Art Gallery Dedicated to Supporting Women of Color
by
Folasade Ologundudu
Reviews
Simone Leigh’s Assembly of Black Feminist Creativity in Venice Left Me in Awe
by
Folasade Ologundudu
People
Artist Derrick Adams Is Known for Depicting Black People at Leisure. Now, He Wants to Create a Residency Dedicated Solely to Rest
by
Folasade Ologundudu
People
How Do You Judge the Value of Social Practice Art? Artist Helina Metaferia Developed Metrics to Determine if a Project Is Successful
by
Folasade Ologundudu
People
‘That Just Shattered Things for Me’: Rick Lowe on the Moment He Realized His Art Had to Escape the Studio to Have Real-World Impact
by
Folasade Ologundudu
People
‘It’s All Art’: Legendary Gallerist Linda Goode Bryant on Why She Doesn’t Like the Term Social Practice, and How Feeding People Is a Creative Act
by
Folasade Ologundudu
People
‘As an Artist, You Look at Everything’: Emerging Painter Patrick Alston on How His South Bronx Home Infuses His Abstract Art
by
Folasade Ologundudu
People
‘My Imagination Ran Wild’: Alteronce Gumby on How His Expansive Style Draws Inspiration From Both Picasso and Music Sampling
by
Folasade Ologundudu
People
‘There Are Always More Questions’: Abstract Painter Mary Lovelace O’Neal on Creating Art That Refuses to Be Boxed In
by
Folasade Ologundudu
People
‘You’re Going to Have to Deal With Me’: McArthur Binion on How He Kept the Faith in Abstract Painting, Even When It Wasn’t Fashionable
by
Folasade Ologundudu
Art Criticism
Pace Gave Its New Digital Director Christiana Ine-Kimba Boyle the Keys to Its Brick and Mortar Gallery. The Results Are Refreshing
by
Folasade Ologundudu
People
Art Historian Sarah Lewis on Why Black Artists Have Been ‘Over-Exhibited and Under-Theorized’
by
Folasade Ologundudu
People
Art Historian Darby English on Why the New Black Renaissance Might Actually Represent a Step Backwards
by
Folasade Ologundudu
People
‘Approach Every Black Artist as a World-Maker’: Art Historian Bridget R. Cooks on the Need for an Expansive Definition of Blackness
by
Folasade Ologundudu
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