Folasade Ologundudu

Latest from Folasade Ologundudu
Art World

Is Atlanta’s Art Scene Finally Achieving Critical Mass? There Are Big Signs That Point to ‘Yes’

by Folasade Ologundudu

Galleries

At 26, Cierra Britton Is Already Fulfilling Her Dream: Opening an Art Gallery Dedicated to Supporting Women of Color

by Folasade Ologundudu

Reviews

Simone Leigh’s Assembly of Black Feminist Creativity in Venice Left Me in Awe

by Folasade Ologundudu

People

Artist Derrick Adams Is Known for Depicting Black People at Leisure. Now, He Wants to Create a Residency Dedicated Solely to Rest

by Folasade Ologundudu

People

How Do You Judge the Value of Social Practice Art? Artist Helina Metaferia Developed Metrics to Determine if a Project Is Successful

by Folasade Ologundudu

People

‘That Just Shattered Things for Me’: Rick Lowe on the Moment He Realized His Art Had to Escape the Studio to Have Real-World Impact

by Folasade Ologundudu

People

‘It’s All Art’: Legendary Gallerist Linda Goode Bryant on Why She Doesn’t Like the Term Social Practice, and How Feeding People Is a Creative Act

by Folasade Ologundudu

People

‘As an Artist, You Look at Everything’: Emerging Painter Patrick Alston on How His South Bronx Home Infuses His Abstract Art

by Folasade Ologundudu

People

‘My Imagination Ran Wild’: Alteronce Gumby on How His Expansive Style Draws Inspiration From Both Picasso and Music Sampling

by Folasade Ologundudu

People

‘There Are Always More Questions’: Abstract Painter Mary Lovelace O’Neal on Creating Art That Refuses to Be Boxed In

by Folasade Ologundudu

People

‘You’re Going to Have to Deal With Me’: McArthur Binion on How He Kept the Faith in Abstract Painting, Even When It Wasn’t Fashionable

by Folasade Ologundudu

Art Criticism

Pace Gave Its New Digital Director Christiana Ine-Kimba Boyle the Keys to Its Brick and Mortar Gallery. The Results Are Refreshing

by Folasade Ologundudu

People

Art Historian Sarah Lewis on Why Black Artists Have Been ‘Over-Exhibited and Under-Theorized’

by Folasade Ologundudu

People

Art Historian Darby English on Why the New Black Renaissance Might Actually Represent a Step Backwards

by Folasade Ologundudu

People

‘Approach Every Black Artist as a World-Maker’: Art Historian Bridget R. Cooks on the Need for an Expansive Definition of Blackness

by Folasade Ologundudu