On View Why an Artist and a Scientist Teamed Up to Bring the Sounds of the Undersea World Into the Heart of Miami’s Art Fair Week Jana Winderen and Tony Myatt's work 'The Art of Listening: Under Water' is at Collins Park in Miami. By Tim Schneider, Dec 5, 2019
People What I’m Buying and Why: Collector Carole Server on Her First Acquisition and the Challenge of Showing Installations in a New York Apartment Top collectors share their strategies (and obsessions). By Tim Schneider, Nov 28, 2019
People What I’m Buying and Why: Collector Mihail Lari on the Most Impractical Work in His Collection and Why He Regrets Buying a De Kooning Top collectors share their strategies (and obsessions). By Tim Schneider, Nov 27, 2019
People What I’m Buying and Why: Collector Alan Lo on His Most Expensive Acquisition and the Pros and Cons of Being an ‘Impulse Purchaser’ Top collectors share their strategies (and obsessions). By Tim Schneider, Nov 26, 2019
Opinion The Gray Market: What Artists Could Learn From Pop Star Taylor Swift’s Battle With Her Former Record Label (And Other Insights) Our columnist asks how the pop megastar’s plan to regain control of her old works might be remixed for the art market. By Tim Schneider, Nov 25, 2019
Analysis Goodbye Art World, Hello Art Industry: How the Art Market Has Transformed—Radically—Over the Past 30 Years Today’s art business looks nothing like it did 30 years ago. By Tim Schneider, Nov 25, 2019
Auctions We Broke Down the Data From New York’s Fall Auctions. Here Are 3 Things They Reveal About Where the Art Market Is Headed Consult our charts to learn which segments of the art market are growing—and which ones are shrinking quickly. By Tim Schneider & Julia Halperin, Nov 22, 2019
Auctions A Record-Breaking Ed Ruscha of a Word Being Tortured Injects Life Into Christie’s Otherwise Sober $325 Million Contemporary Sale Other star lots failed to surpass expectations. By Tim Schneider, Nov 13, 2019
Auctions A Record-Setting Futurist Sculpture by Umberto Boccioni Carried Christie’s Workmanlike $191 Million Impressionist and Modern Sale Christie's opens fall auction week a solid, picture-by-picture approach. But results are still down 30 percent from last year. By Tim Schneider, Nov 11, 2019
Opinion The Gray Market: Why KAWS Is More a Symbol of the Art Market’s Past Than Its Future (and Other Insights) Our columnist on what the art world is missing about the recent market success of KAWS, and what it means for the next generation. By Tim Schneider, Nov 11, 2019
Auctions Hot Lots: 7 Tantalizingly Undervalued Artworks in New York’s Fall Auctions, According to the Experts We spoke to the experts at Artnet Auctions to identify big opportunities in the postwar and contemporary sales. By Tim Schneider, Nov 11, 2019
Opinion The Gray Market: Why Twitter’s Ban of Political Ads Could Have an Important Impact on Instagram’s Censorship of Artwork (and Other Insights) Our columnist dissects how a major policy shift at Twitter puts Facebook on the hot seat for its political ads and Instagram art censorship. By Tim Schneider, Nov 4, 2019
Art World See 8 Intriguing Finds at This Year’s TEFAF New York, From a Greek Suit of Armor to an Ancient Bust Once Owned by Warhol See highlights from the swanky Upper East Side-based art fair. By Eileen Kinsella & Sarah Cascone & Tim Schneider, Nov 1, 2019
Analysis Tad Smith Went From the Entertainment World to Remake Sotheby’s. Now That He’s Out as CEO, Where Does the Auction House Go From Here? Unpacking the ways Sotheby's evolved—and didn't—during Smith's four and a half years as CEO of the renowned auction house. By Tim Schneider & Eileen Kinsella, Oct 30, 2019
Opinion The Gray Market: Why Ethical Vetting of Collectors Won’t Reshape the Art Market (and Other Insights) Our columnist shines a light on the firewalls protecting private sales from the activist pressure now changing museum boardrooms. By Tim Schneider, Oct 28, 2019