Tim Schneider

Art Business Editor
Latest from Tim Schneider
On View

Why an Artist and a Scientist Teamed Up to Bring the Sounds of the Undersea World Into the Heart of Miami’s Art Fair Week

by Tim Schneider

People

What I’m Buying and Why: Collector Carole Server on Her First Acquisition and the Challenge of Showing Installations in a New York Apartment

by Tim Schneider

People

What I’m Buying and Why: Collector Mihail Lari on the Most Impractical Work in His Collection and Why He Regrets Buying a De Kooning

by Tim Schneider

People

What I’m Buying and Why: Collector Alan Lo on His Most Expensive Acquisition and the Pros and Cons of Being an ‘Impulse Purchaser’

by Tim Schneider

Opinion

The Gray Market: What Artists Could Learn From Pop Star Taylor Swift’s Battle With Her Former Record Label (And Other Insights)

by Tim Schneider

Analysis

Goodbye Art World, Hello Art Industry: How the Art Market Has Transformed—Radically—Over the Past 30 Years

by Tim Schneider

Auctions

We Broke Down the Data From New York’s Fall Auctions. Here Are 3 Things They Reveal About Where the Art Market Is Headed

by Tim Schneider & Julia Halperin

Auctions

A Record-Breaking Ed Ruscha of a Word Being Tortured Injects Life Into Christie’s Otherwise Sober $325 Million Contemporary Sale

by Tim Schneider

Auctions

A Record-Setting Futurist Sculpture by Umberto Boccioni Carried Christie’s Workmanlike $191 Million Impressionist and Modern Sale

by Tim Schneider

Opinion

The Gray Market: Why KAWS Is More a Symbol of the Art Market’s Past Than Its Future (and Other Insights)

by Tim Schneider

Auctions

Hot Lots: 7 Tantalizingly Undervalued Artworks in New York’s Fall Auctions, According to the Experts

by Tim Schneider

Opinion

The Gray Market: Why Twitter’s Ban of Political Ads Could Have an Important Impact on Instagram’s Censorship of Artwork (and Other Insights)

by Tim Schneider

Art World

See 8 Intriguing Finds at This Year’s TEFAF New York, From a Greek Suit of Armor to an Ancient Bust Once Owned by Warhol

by Eileen Kinsella & Sarah Cascone & Tim Schneider

Analysis

Tad Smith Went From the Entertainment World to Remake Sotheby’s. Now That He’s Out as CEO, Where Does the Auction House Go From Here?

by Tim Schneider & Eileen Kinsella

Opinion

The Gray Market: Why Ethical Vetting of Collectors Won’t Reshape the Art Market (and Other Insights)

by Tim Schneider