Art Fairs What Can We Learn About Art Fairs From Liste, Basel’s Platform for Emerging Talent? Here Are Four Lessons Liste, the world's premier fair for emerging contemporary art, can teach fair organizers and exhibitors a few things. By Tim Schneider, Jun 13, 2019
Art World An Artist Has Recreated Famous Lost Artworks for Art Basel—and They Will Disappear Again Before the Fair Is Over Alvaro Urbano's works are on view for a limited time only. By Tim Schneider, Jun 12, 2019
Art Fairs The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines Among the show-stopping works is a Buddhist take on casino capitalism. By Tim Schneider & Kate Brown, Jun 11, 2019
Opinion The Gray Market: How an Artist-Run Bank Reveals the Extent of the Art Market’s Debt Dependency (and Other Insights) Inspired by Daniel Edelstyn and Hilary Powell's "Bank Job," our columnist takes a high-speed tour of debt's role in the art market. By Tim Schneider, Jun 10, 2019
Art Fairs Can Art Basel Bring Foot Traffic Back to Galleries? Its Newly Enhanced App Aims to Send People to Visit Its Elite Exhibitors Around the World The Global Guide seeks to increase collectors’ engagement with participating Art Basel galleries year-round through a slate of new features. By Tim Schneider, Jun 5, 2019
Art World Watch Shoppers Maim and Trample Each Other to Get KAWS’s New UNIQLO T-Shirts in These Horrifying Videos Chaos struck at UNIQLO stores in China today. By Tim Schneider & Caroline Goldstein, Jun 3, 2019
Opinion The Gray Market: Why Facebook’s New Art Patronage Deserves More Ethical Scrutiny Than You Think (and Other Insights) Our columnist raises ethical concerns about Facebook beyond its role in spreading election-based disinformation in 2016. By Tim Schneider, Jun 3, 2019
Market A Swiss Collector Wanted to Buy a Ryan McGinley Artwork From Team Gallery. Then a Cyber Thief Slithered Into the Deal The cyberfraud that shocked the art world in 2017 is still in play, and its latest victims appear to be Team Gallery and a young collector. By Tim Schneider, May 30, 2019
Opinion The Gray Market: Why Generation Z Is More Hype Than Hope for the Dealers Who Need Them Most (and Other Insights) Our columnist on why most art dealers aren't ready to pursue Generation Z, and why the market's future probably looks a lot like its past. By Tim Schneider, May 27, 2019
Auctions Who Were the Breakout Stars of New York’s Spring Art Auctions? We Crunched the Numbers to Find Out Data shows which new entrants to Christie's, Sotheby's, and Phillips contemporary sales sparked the fiercest bidding in New York. By Tim Schneider, May 23, 2019
Auctions Who Won Auction Week? Here Are 15 Key Takeaways From New York’s Eyebrow-Singeing $2 Billion Spring Art Sales From the most expensive work to the biggest flop, here are our parting observations from last week's auction marathon. By Tim Schneider & Eileen Kinsella, May 20, 2019
Auctions Francis Bacon’s Screaming Pope and a String of Artist Records Deliver Sotheby’s a Robust $342 Million Contemporary Sale Francis Bacon's "Study for a Head" and Mark Rothko's "Untitled" each netted $50 million, while new marks were set for Lee Krasner and others. By Tim Schneider, May 17, 2019
Art World Western Museums Have a Surplus of Art by White Men. Now Some Are Selling It Off to Correct Their Historical Biases The work of three North American museums may offer a blueprint for how others can deaccession to diversify. By Tim Schneider, May 15, 2019
Auctions A Record-Shattering $111 Million Monet Powers an Otherwise Staid $350 Million Impressionist and Modern Sale at Sotheby’s Overall, the sale provided more solidity than stimulation. By Tim Schneider, May 14, 2019
Opinion The Gray Market: Why Many Working Artists Are Much Closer to a Venice Biennale Pavilion Than They Realize (and Other Insights) Our columnist finds unsettling common ground between the average artist and their few peers exhibiting in the 2019 Venice Biennale. By Tim Schneider, May 13, 2019