Tim Schneider

Art Business Editor
Latest from Tim Schneider
Art Fairs

What Can We Learn About Art Fairs From Liste, Basel’s Platform for Emerging Talent? Here Are Four Lessons

by Tim Schneider

Art World

An Artist Has Recreated Famous Lost Artworks for Art Basel—and They Will Disappear Again Before the Fair Is Over

by Tim Schneider

Art Fairs

The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines

by Tim Schneider & Kate Brown

Opinion

The Gray Market: How an Artist-Run Bank Reveals the Extent of the Art Market’s Debt Dependency (and Other Insights)

by Tim Schneider

Art Fairs

Can Art Basel Bring Foot Traffic Back to Galleries? Its Newly Enhanced App Aims to Send People to Visit Its Elite Exhibitors Around the World

by Tim Schneider

Art World

Watch Shoppers Maim and Trample Each Other to Get KAWS’s New UNIQLO T-Shirts in These Horrifying Videos

by Tim Schneider & Caroline Goldstein

Opinion

The Gray Market: Why Facebook’s New Art Patronage Deserves More Ethical Scrutiny Than You Think (and Other Insights)

by Tim Schneider

Market

A Swiss Collector Wanted to Buy a Ryan McGinley Artwork From Team Gallery. Then a Cyber Thief Slithered Into the Deal

by Tim Schneider

Opinion

The Gray Market: Why Generation Z Is More Hype Than Hope for the Dealers Who Need Them Most (and Other Insights)

by Tim Schneider

Auctions

Who Were the Breakout Stars of New York’s Spring Art Auctions? We Crunched the Numbers to Find Out

by Tim Schneider

Auctions

Who Won Auction Week? Here Are 15 Key Takeaways From New York’s Eyebrow-Singeing $2 Billion Spring Art Sales

by Tim Schneider & Eileen Kinsella

Auctions

Francis Bacon’s Screaming Pope and a String of Artist Records Deliver Sotheby’s a Robust $342 Million Contemporary Sale

by Tim Schneider

Art World

Western Museums Have a Surplus of Art by White Men. Now Some Are Selling It Off to Correct Their Historical Biases

by Tim Schneider

Auctions

A Record-Shattering $111 Million Monet Powers an Otherwise Staid $350 Million Impressionist and Modern Sale at Sotheby’s

by Tim Schneider

Opinion

The Gray Market: Why Many Working Artists Are Much Closer to a Venice Biennale Pavilion Than They Realize (and Other Insights)

by Tim Schneider