Analysis Art Thieves Prefer Sculpture Over Paintings and 4 Other Revelations From Interpol’s Art Theft Database One part of the world seems to be generating the most demand for stolen artworks. By Kate Brown, Apr 6, 2018
Analysis The Gray Market: Why the Brooklyn Museum Hiring Controversy Shows We Need Structural Action on Arts Diversity (and Other Insights) Our columnist on the Brooklyn Museum's diversity hiring scandal, plus thoughts on collection-sharing agreements and authorship versus profit. By Tim Schneider, Apr 2, 2018
Analysis What Auction Data Tells Us About the Controversial Firing of MOCA Curator Helen Molesworth An examination of 15 years' worth of solo shows reveals a significant shift when Molesworth took the reins. By Felix Salmon, Mar 29, 2018
Analysis The Gray Market: How Art Basel Could Help—Rather Than Hurt—Midsize Galleries (And Other Insights) From Art Basel to Christie's to the gallery world, our columnist weighs in on the ups and downs of new collaborations in the art business. By Tim Schneider, Mar 26, 2018
Analysis Betting on Asian Collectors’ Appetite for Western Art, Sotheby’s Organizes a $200 Million Selling Exhibition in Hong Kong Four Picassos in the sale have come directly from the artist's granddaughter. By Eileen Kinsella, Mar 21, 2018
Analysis The Gray Market: Why Art Censorship Is Built Into Facebook’s DNA (and Other Insights) Our columnist explains how conservatism powers Facebook's business plan, and addresses disappearing sculptures and fake Basquiats. By Tim Schneider, Mar 5, 2018
Analysis The Gray Market: Why Sotheby’s Acquisition of an AI Startup Won’t Disrupt the Industry (and Other Insights) Our columnist explains why app Thread Genius will matter most to novice buyers and touches on LACMA's latest expansion and AWOL bidders. By Tim Schneider, Jan 29, 2018
Analysis The Gray Market: A Simple Trick to Tell If a Museum Scandal Is Really Worth Caring About (and Other Insights) Our columnist suggests a handy ‘acid test’ for museum scandals, and weighs in on the TEFAF report's demise and Google Arts & Culture. By Tim Schneider, Jan 22, 2018
Analysis The Gray Market: The Unknown Cost of Keeping Art in Museum Storage (and Other Insights) Our columnist asks why it's a museum taboo to talk about the value of art kept in reserve, and questions how we measure mega exhibitions. By Tim Schneider, Jan 15, 2018
Analysis The Gray Market: Why the Met’s Ticket Prices Are Not the Problem (and Other Insights) Our columnist delves into the Met's controversial new admission policy—and explains why a lasting solution won't come from the box office. By Tim Schneider, Jan 8, 2018
Analysis Eight Hair-Raising and Highly Specific Predictions for the Art Market in 2018 What will the coming year hold for art fairs, galleries, and the art business in general? Tim Schneider ventures a few prognostications. By Tim Schneider, Jan 5, 2018
Analysis From Studio to Factory: Is Overproduction the Greatest Threat to the Market for Contemporary Art? In an excerpt from her new book, Dark Side of the Boom, Georgina Adam visits some of the world's most productive artists. By Georgina Adam, Jan 2, 2018
Analysis The 4 Glass Ceilings: How Women Artists Get Stiffed at Every Stage of Their Careers Several new studies examine precisely how much worse women fare in the art market than their male peers. It's not a pretty picture. By Julia Halperin, Dec 15, 2017
Analysis The Gray Market: What the ‘Salvator Mundi’ Whodunnit Says About Saudi Soft Power (and Other Insights) How a $450 million da Vinci and a handful of petrocrats siphoned much of the art-market oxygen out of Art Basel in Miami Beach. By Tim Schneider, Dec 11, 2017
Analysis The Rediscovery Backlash: Has the Market for Overlooked Art Historical Talent Peaked? This year's Art Basel Miami Beach is full of work from the '60s and '70s. But how much of it is actually worth rediscovering? By Julia Halperin, Dec 8, 2017
