Art Criticism Critic’s Spotlight: How Felipe Baeza’s Symbolically Charged Dreamscapes Give Body to Contemporary Struggles at the Venice Biennale Baeza's creates a distinctive language of fantasy that encodes queer desire and the immigrant experience. By Barbara Calderón, May 15, 2022
Art Criticism New Perspectives: 6 Artists at the 2022 Venice Biennale Who Are Shifting the Way We Visualize the African Diaspora From Tourmaline to Simone Leigh, artists reflect on the Black imagination as a resource to build new worlds and right wrongs. By Emmanuel Balogun, May 12, 2022
Art Criticism Here Is What the Riddle at the Heart of the 2022 Whitney Biennial Actually Means A philosophy unites the show's many enigmas—but it wants you work to uncover it. By Ben Davis, May 4, 2022
Art Criticism The 2022 Venice Biennale Is an Artistically Outstanding, Philosophically Troubling Hymn to Post-Humanism "Post-humanism" is the master key to the big show. But what does it mean? By Ben Davis, May 1, 2022
Art Criticism Why the Opening Ceremonies at the 2022 Winter Olympic Games Were an Artless, Uninspired Dud The tiny flame was an afterthought. By Sarah Cascone, Feb 4, 2022
Art Criticism The Prospect 5 Triennial Reflects Contemporary Culture’s Hunger for Widespread Yet Specific Historical Reckoning The fifth edition of the important art survey is in its final week. By Ben Davis, Jan 18, 2022
Art Criticism Full of Both Passion and Grace, MoMA PS1’s ‘Greater New York’ Exhibition Is a Model of Intelligent Curating PS1's big show feels like a show about the actual life of New York, rather than being just for tourists looking for a good photo. By Marianela D'Aprile, Dec 21, 2021
Art Criticism David Zwirner’s New Outpost 52 Walker Offers Us a New Way to Experience an Art Gallery, But Only If You’re Willing to Put in the Time The inaugural show, "A Line" by Kandis Williams, is elegant and conceptually rich. By Tiana Reid, Nov 23, 2021
Art Criticism Period Rooms Usually Glorify the Aristocracy. With Its New Afrofuturist Room, the Met’s Approach Is Different The room, which brings together contemporary art and historic works that evoke Seneca Village, is a vision of loss, hope, and imagination. By Darla Migan, Nov 14, 2021
Art Criticism The New Museum’s Muted 2021 Triennial Reflects Culture’s Inward Turn, and Perhaps Its Exhaustion There's scarcely a digital presence in this year's show. By Ben Davis, Nov 8, 2021
Art Criticism Roxane Gay on How Artist Calida Rawles Shows Us a New, and More Humane, Way of Bearing Witness The writer explores the significance Rawles's painting "High Tide, Heavy Armor." By Roxane Gay, Oct 12, 2021
Art Criticism If You Don’t Think Jasper Johns Can Still Surprise You, Wait Until You Get to the End of This Review The Whitney and the Philadelphia museums' vast Johns survey is a chance to figure out why he works the way he does, and what it means now. By Ben Davis, Oct 12, 2021
Art Criticism The 34th São Paulo Biennial Has Spread Out, Slowed Down, and Opened Itself Up—But Some Old Barriers Remain “Though It’s Dark, Still I Sing” has been rethought to respond to the pandemic and the political moment. By Tiago Gualberto, Sep 30, 2021
Art Criticism Pace Gave Its New Digital Director Christiana Ine-Kimba Boyle the Keys to Its Brick and Mortar Gallery. The Results Are Refreshing “Convergent Evolutions" is elegantly radical in how it opens up new conversations around its artists. By Folasade Ologundudu, Sep 9, 2021
Art Criticism Why You Should Take Note of Ruben Ulises Rodriguez Montoya, Whose Shapeshifting Assemblages Build a Mythology of Survival “Ex Situ Canis Latrans” at Murmurs L.A. shows this artist's powerful symbolic use of broken and decaying materials. By Barbara Calderón, Sep 1, 2021
