The Burns Halperin Report Here’s Every Element of the 2022 Burns Halperin Report, All in One Place Plus, watch a film that summarizes the key findings. By Julia Halperin & Charlotte Burns, Dec 28, 2022
The Burns Halperin Report Perceptions of Progress in the Art World Are Largely a Myth. Here Are the Facts Here are 14 bracing facts about representation in the art world today. By Julia Halperin & Charlotte Burns, Dec 13, 2022
The Burns Halperin Report Introducing the 2022 Burns Halperin Report Here is what you can expect from the Burns Halperin Report, which explores representation in U.S. museums and the international art market. By Julia Halperin & Charlotte Burns, Dec 13, 2022
The Burns Halperin Report The Art World Is Actually Not Very Creative About What It Values. What Would It Take to Change That? The Burns Halperin Report looks at value in the art world. But there are many other ways to measure it. By Charlotte Burns & Julia Halperin, Dec 13, 2022
The Burns Halperin Report Methodology: How We Gathered and Analyzed the Data for the 2022 Burns Halperin Report Here's how we gathered and analyzed the data that formed the backbone of our project, from museums and the art market. By Julia Halperin & Charlotte Burns, Dec 13, 2022
The Burns Halperin Report Exactly How Underrepresented Are Women and Black American Artists in the Art World? Read the Full Data Rundown Here We surveyed 31 U.S. museums and examined the international auction market to determine the dismal state of play—and a few glimmers of hope. By Julia Halperin & Charlotte Burns, Dec 13, 2022
Law Looking to Hedge Their Bets in Unpredictable Times, Auction Houses and Consignors Are Locked in Tense Battles Over Contracts The art market is getting a whole lot more cautious. By Charlotte Burns, Dec 7, 2020
Women's Place in the Art World Museums Claim They’re Paying More Attention to Female Artists. That’s an Illusion. Just 11 percent of all museum acquisitions over the past decade have been of work by women, our new investigation finds. By Julia Halperin & Charlotte Burns, Sep 19, 2019
Women's Place in the Art World Case Studies: How Four Museums Are Taking Dramatic Measures to Admit More Women Artists Into the Art Historical Canon We examine how four museums are adopting different strategies to move the needle on the representation of women in art history. By Julia Halperin & Charlotte Burns, Sep 19, 2019
Women's Place in the Art World ‘It’s Not the Quality of the Art That Matters, It’s Discrimination’: Excerpts From Our Interviews on Women’s Place in the Art World We spoke with more than 40 people to get their reactions to our findings and their take on women in the art world. Here are the highlights. By Julia Halperin & Charlotte Burns, Sep 19, 2019
Women's Place in the Art World Methodology: How We Gathered and Analyzed Our Data on Women in the Art World Here's how we gathered and analyzed the data that formed the backbone of our investigation. By Julia Halperin & Charlotte Burns, Sep 19, 2019
Women's Place in the Art World Female Artists Represent Just 2 Percent of the Market. Here’s Why—and How That Can Change The market for work by women doubled over the past decade. But it’s still less than the total sales for Picasso alone. By Julia Halperin & Charlotte Burns, Sep 19, 2019
Market Vija Celmins’s Process Is Slow, Steady, and Methodical. So Is the Market for Her Work—For Now We examine a snapshot of the artist's market as her anticipated retrospective opens at the San Francisco Museum of Modern Art. By Charlotte Burns, Dec 18, 2018
Analysis How Do You Build a Sustainable Art Career? We Examine Case Studies of Two Star Artists Here's how artists of two generations—Njideka Akunyili Crosby and Cecily Brown—have developed sustainable careers amid intense pressure. By Charlotte Burns, Oct 24, 2018
The Long Road for African American Artists What Does the Road to Success Look Like? Case Studies of African American Artists From Three Generations We examine the unique trajectories of Norman Lewis, Betye Saar, and Kerry James Marshall. By Julia Halperin & Charlotte Burns, Sep 20, 2018
