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22 November 2024
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Melissa Smith
Latest from Melissa Smith
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‘I Truly Feel Optimistic’: The Guggenheim’s Chief Curator Naomi Beckwith on Why She Still Has Faith in Museums—and How They Can Change
by
Melissa Smith
Art World
Betty Blayton Cofounded the Studio Museum and Taught Art to Hundreds. Now, Her Own Work Is Getting a Blue-Chip Reevaluation
by
Melissa Smith
Galleries
Can Ebony L. Haynes’s New David Zwirner Offshoot Actually Make the Art World Slow Down? She’s Banking on It
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Melissa Smith
Market
‘They Have a Lot More Control Than They Think’: How Black Art Promoters Are Urging Artists to Look Beyond Traditional White Gatekeepers
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Melissa Smith
People
How Artist Karon Davis’s Tour-de-Force Portrayal of Black Panther Leader Bobby Seale Reveals a Cruel Blind Spot of American History
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Melissa Smith
Art World
A New Documentary on HBO Shows How Black Artists Crafted Their Own Histories in the Face of an Art World That Excluded Them
by
Melissa Smith
People
‘Most Black Film Isn’t Allowed to Be Ambiguous’: How Garrett Bradley’s Quiet Documentaries Found a Rapt Audience in the Art World
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Melissa Smith
Analysis
Flush With New Success, Black Art Stars Are Reinvesting Their Windfalls in the Next Generation in Ways That Could Permanently Reshape the Art World
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Melissa Smith
People
The New Innovators: How ArtNoir’s Larry Ossei-Mensah Went From a Bronx-Born Art-World Outsider to the Ultimate Insider
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Melissa Smith
Art World
Responding to Widespread Demands, Museums Are Acquiring More Works by Artists of Color. But How They Do So Matters More Than Ever
by
Melissa Smith
People
Meet the Black Women Working to Transform the Art Scenes in Three Cities Deemed Least Hospitable to Black Women
by
Melissa Smith
Art & Exhibitions
The Cancellation of Shaun Leonardo’s Museum Show Sparked an Uproar. Now, the Activists Who Wanted It Gone Tell Their Side of the Story
by
Melissa Smith
People
Legendary Black Panther Artist Emory Douglas on How Digital Media Can Be Harnessed to Make Protest Art Far More Effective Than Ever
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Melissa Smith
Art World
Crystal Bridges Made Arkansas a Hub for American Art. Can a New Offshoot Make It a Destination for Contemporary Work, Too?
by
Melissa Smith
People
‘We Had to Do It For Ourselves’: Legendary Gallerist and Artist Suzanne Jackson on Why the Art World Has Never Gotten Her Story Right
by
Melissa Smith
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