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04 October 2024
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Melissa Smith
Latest from Melissa Smith
Reviews
How Elizabeth Catlett Went From Exile to Artist for Our Times
by
Melissa Smith
Art Fairs
6 Galleries Changing the Conversation at New York’s 1-54 Contemporary African Art Fair
by
Melissa Smith
Art History
What Does It Mean to Be an Afrofuturist Now? Three Contemporary Artists on What the Term Means to Them
by
Melissa Smith
Art World
Artist Titus Kaphar on His Debut Documentary, and How It Centers the Need for Black Artists to Engage Black Communities
by
Melissa Smith
The Burns Halperin Report
For Some American Artists, Recognition by Mainstream Art Institutions Is a Means to an End: Building Their Own Alternatives
by
Melissa Smith
The Burns Halperin Report
‘It Takes Two Villages’: How the MCA Chicago Transformed Its Collection at Unprecedented Speed to Better Reflect Its Audience
by
Melissa Smith
Art World
What Makes for a Successful Studio Visit? 4 Veteran Art Professionals Offer Real, Actionable Advice for Young Artists
by
Melissa Smith
Art World
We Asked Leading Video Artists How Best to Enjoy the Medium—and, Yes, It’s OK to Leave in the Middle (and to Be Confused)
by
Melissa Smith
Art Fairs
Here Are 5 of the Best Booths at Frieze New York, From Metaphysical Landscapes to Playful Ceramics and a Revelatory Rediscovery
by
Melissa Smith
Art & Exhibitions
We Asked 5 Prominent Curators for the Best Way to Tackle Viewing an Art Biennial. Here’s Their Advice
by
Melissa Smith
People
U.K. Venice Biennale Pavilion Artist Sonia Boyce on Why She’s Already Expecting Backlash Against the Show
by
Melissa Smith
Art & Exhibitions
The Art World Ignored Faith Ringgold for Decades. Her Admirers Think Her Work Is More Powerful Today Because of It
by
Melissa Smith
On View
Sadie Barnette Has Made Art From the Files the FBI Kept on Her Father. Now She’s Recreating His Path-Breaking Nightclub
by
Melissa Smith
Art & Exhibitions
How an Aluminum Mine in Jamaica Became the Conceptual Core of Breakout Artist Jamilah Sabur’s New Miami Show
by
Melissa Smith
Art Collectors
Dameon and Kimberly Fisher Pour Their Hearts Into Being ‘Cultural Caretakers’ for the Work of Southern Black Artists
by
Melissa Smith
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