Brooklyn-Based Painter Marcus Leslie Singleton on the Pros and Cons of Good Lighting, and Why the Best Art Works Telepathically

Noor Brara

Art and Design Editor

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Brooklyn-Based Painter Marcus Leslie Singleton on the Pros and Cons of Good Lighting, and Why the Best Art Works Telepathically

‘I Felt in Between Places’: Iranian Artist Arghavan Khosravi on Studying Art in the U.S., and Why She Paints Preoccupied Women

‘Great Design Dovetails Into Sculpture’: Carpenters Workshop’s Ashlee Harrison on How to Convince Art Collectors to Spend Big on Design

‘Everything Is Connected’: Collector and Curator Raquel Cayre on Why There’s No Point in Differentiating Between Art and Design

‘It’s the Prelude to the Renaissance’: Actor Jesse Williams and Artist Glenn Kaino on Why Creatives of Color Can Experiment Like Never Before

‘I’m a Huge Believer in the Gallery System’: Arts Patron Alia Al-Senussi on How Dealers Can Help Artists From the Arab World

Author Roxane Gay, Who Loves Art But Dislikes the Art World, Has Some Advice for Galleries: ‘Stop Being Terrible’

‘Empathy Is a Superpower’: Journalist Noor Tagouri on How to Connect With Artists, and Why Risk-Taking Is Essential for Leaders

‘It’s Opened Me Up’: Writer Leslie Jamison and Artist Mika Rottenberg on How Motherhood Made Them More Creative

‘It’s a Chess Game’: Artists Futura and Daniel Arsham on How to Stay Independent While Collaborating With Big Corporations

A Group Exhibition in Upstate New York Examines Black Excellence in an Imperfect World—See Images Here

Studio Visit: Textile Artist Sagarika Sundaram on Working in Silence and Seeking Out Felts From Around the Globe

The Trials of 2020 Tested Relationships Worldwide. Here’s How They Strengthened the Bonds of Three (More) Art-World Couples

‘We’re Always Looking for Different Perspectives’: Audemars Piguet’s In-House Curators on the Watchmaker’s Art Commissions

‘Very Few People Work in Solitude’: Designer Dries Van Noten and Artist Adam Tullie on How Creatives Can Collaborate Across Disciplines