Tim Schneider

Art Business Editor
Latest from Tim Schneider
The Back Room

The Back Room: A Post-Auction World

by Tim Schneider

The Gray Market

What Goldman Sachs’s Florida Expansion Tells Us About the Future of the Art Market (and Other Insights)

by Tim Schneider

Art Collectors

What I Buy and Why: Drawings Collector Jack Shear on His Best Antique-Store Find and the 20th Century’s Most Underrated Artist

by Tim Schneider

The Back Room

The Back Room: Billions and Billions Served

by Tim Schneider

The Gray Market

Why the Myth of the ‘Good Billionaire’ Is Undermining the Nonprofit and For-Profit Art Industry Alike (and Other Insights)

by Tim Schneider

The Back Room

The Back Room: Crypto Ain’t Dead Yet

by Tim Schneider

The Gray Market

Why Beeple’s ‘Everydays’ Could Be the $69.3 Million Key to Lucrative Venture Capital Investments (and Other Insights)

by Tim Schneider

The Back Room

The Back Room: Counting Galleries’ Money

by Tim Schneider

The Gray Market

What a Travel Company’s ‘Decolonization Project’ Can Teach Us About the Limits of Equity in the Art Market, Too (and Other Insights)

by Tim Schneider

Market

The Back Room: Punking the Market

by Tim Schneider

The Gray Market

What Art Dealers Can Learn From a Revered Underground Record Store’s Move to the Heart of Manhattan (and Other Insights)

by Tim Schneider

Market

The Back Room: Asia Major

by Tim Schneider

The Gray Market

Why the Art Market Is Colliding With Investors’ Biggest, Weirdest New Fixation (and No, It’s Not Crypto)

by Tim Schneider

Market

The Back Room: A Macro View of the Spring Auctions

by Tim Schneider

The Gray Market

What Spotify’s Broken Artist-Royalty Model Can Teach Us About Inequities in the Art Market (and Other Insights)

by Tim Schneider