Tim Schneider

Art Business Editor
Latest from Tim Schneider
Opinion

The Gray Market: 13 Analogies That Helped Make Sense of the Art Business in 2018 (and Other Insights)

by Tim Schneider

Art World

From ‘Fairtigue’ to ‘AI Art,’ Here Are 13 Terms That Changed the Art World This Decade

by Tim Schneider

Opinion

The Gray Market: How My Eight Highly Specific Art-Market Predictions for 2018 Turned Out (and Other Insights)

by Tim Schneider

Opinion

The Gray Market: How Meow Wolf Shows Artists Can Be as Gaga for Growth as Galleries (and Other Insights)

by Tim Schneider

Opinion

The Gray Market: Why the Most Exhausting Aspect of Miami Art Week Is the Most Important to the Market’s Future

by Tim Schneider

Market

How Are Emerging Art Dealers Dealing With the Gallery Crisis? We Asked a Dozen of Them at NADA

by Julia Halperin & Tim Schneider

On View

At Miami Art Week, Thousands of Works Created by Human Artists—and a Few by Artificial Intelligence, Too

by Tim Schneider

Art World

A Miami Beach Conference United Art and Tech A-Listers to Make the Case for Blockchain—And Ended as an Allegory of Market Mayhem

by Tim Schneider

Opinion

The Gray Market: Why the Hauser & Wirth Institute’s ‘Wholly Independent’ Research Can Still Be a Major Market Play

by Tim Schneider

Auctions

Is the Contemporary Art Market Due for a Contraction? A Look Beyond the Mega-Sales Presents a Dimmer Picture

by Tim Schneider

Galleries

Influential Photography Dealer Steven Kasher Will Shutter His Gallery to Join David Zwirner

by Tim Schneider

Opinion

The Gray Market: Why a New Study About Finding Art-World Success Doesn’t Mean What You Think It Means (and Other Insights)

by Tim Schneider

Auctions

Forget Masterpiece Theater—Sotheby’s Delivers a Sterling $362.6 Million Contemporary Art Sale Built From the Middle Market

by Tim Schneider

Art World

‘ARTnews’ and ‘Art in America’ Are Bought by Penske Media, Owner of ‘Rolling Stone’ and ‘Variety’

by Tim Schneider

Auctions

Sotheby’s Sets a New Record for Magritte in Its $315 Million Impressionist and Modern Sale, But Many Works Go Unsold

by Tim Schneider