Tim Schneider

Art Business Editor
Latest from Tim Schneider
Opinion

The Gray Market: Why Formal Education Is Overrated When It Comes to Dealing Art (and Other Insights)

by Tim Schneider

Art World

Has Artificial Intelligence Given Us the Next Great Art Movement? Experts Say Slow Down, the ‘Field Is in Its Infancy’

by Tim Schneider & Naomi Rea

Art World

Jim Carrey’s Political Cartoons Are Getting a Show at Maccarone, Timed to the Midterm Elections

by Tim Schneider

Opinion

The Gray Market: Why Yusaku Maezawa’s Plan to Send Artists to the Moon Is Cosmically Misguided Patronage (and Other Insights)

by Tim Schneider

Art World

WAGE Just Released a Calculator That Tells Artists If They’re Getting Paid Fairly for Their Work

by Tim Schneider

Opinion

The Gray Market: Why Tate’s Wikipedia-Supplied Artist Biographies Are More Than Just Embarrassing (and Other Insights)

by Tim Schneider

Analysis

A Decade After Damien Hirst’s Historic ‘Beautiful Inside My Head Forever’ Auction, Resale Prices Are Looking Ugly

by Tim Schneider

Opinion

The Gray Market: What Mary Boone’s Tax Evasion Plea Reveals About All Galleries (and Other Insights)

by Tim Schneider

Galleries

With a New Project Space in Taiwan, Sean Kelly Embarks on a More ‘Sensitive’ Expansion to Asia

by Tim Schneider

Art Fairs

In a Major Shift, Art Basel Announces a New System of Progressive Booth Fees to ‘Help Out Those Who Are on the Rise’

by Tim Schneider

Opinion

The Gray Market: Why the Israel Museum Might Show Us Which Types of Change Art Audiences Are Ready For (and Other Insights)

by Tim Schneider

Art World

Edward Bass’s Mega-Gift of $160 Million Will ‘Transform’ Yale’s Peabody Museum of Natural History

by Tim Schneider

Opinion

The Gray Market: Why the Debate Over Deaccessioning Might Really Be a Debate About America (and Other Insights)

by Tim Schneider

On View

In Atlantic City, Where Trump Built and Destroyed a Casino Empire, One Man Has Created an Odd Museum to the President’s Past

by Tim Schneider

Opinion

The Gray Market: Why Canceling NADA New York Feels Like Ending More Than ‘Just Another Fair’ (and Other Insights)

by Tim Schneider