Tim Schneider

Art Business Editor
Latest from Tim Schneider
Analysis

A Data-Driven Look at This Week’s Day Sales Offers More Proof That the Auction Market Is Only Growing at the Top

by Tim Schneider

Art World

The Gray Market: Why Christie’s Is Selling an $80 Million Hockney Painting With No Reserve or Guarantee (and Other Insights)

by Tim Schneider

Auctions

Christie’s Misses the Mark With a $279.3 Million Impressionist and Modern Sale, Leaving Starry Casualties in Its Wake

by Tim Schneider

Opinion

The Gray Market: Why Thomas Campbell’s New Gig Suggests the True Solution to the Museum Diversity Problem Will Be Extreme (and Other Insights)

by Tim Schneider

Art Fairs

Art Basel’s Parent Company MCH Group Is Pulling Out of Regional Art Fairs to Usher in a ‘Profound Transformation’

by Tim Schneider

Analysis

‘The Price of Everything’ Has a Vision of the Art Market to Sell You. Don’t Buy It

by Tim Schneider

Analysis

Who Survived the Zombie Formalism Apocalypse? We Surveyed the Wreckage of the Last Great Art-Market Fad

by Tim Schneider

Opinion

The Gray Market: How Christie’s So-Called ‘AI-Generated’ Art Sale Proves That Records Can Distort History (and Other Insights)

by Tim Schneider

Art World

A New Museums Report Reveals the (Perhaps Lopsided) Calculations Behind Hosting Traveling Exhibitions

by Tim Schneider

Opinion

The Gray Market: Why Auctioning a Major Collector’s Estate Is a Lot Like Taking Uber Public (and Other Insights)

by Tim Schneider

Analysis

At Hong Kong’s Latest Round of Auctions, Work by Western Artists Reached a New High

by Tim Schneider

Art World

Michael Bloomberg Thinks Midsize Arts Nonprofits Can Change American Cities, and He’s Spending Over $100 Million to Prove It

by Tim Schneider

Opinion

The Gray Market: Why We Need to Bust Old Myths About Artist-Brand Collaborations (and Other Insights)

by Tim Schneider

Analysis

Wondering How Instagram’s New Tap-to-Buy Features Might Work for Selling Art? Here Are the Answers

by Tim Schneider

Opinion

The Gray Market: Why Chicago’s Kerry James Marshall Sale Strengthens a Sad Misconception About Cultural Funding (and Other Insights)

by Tim Schneider