Tim Schneider

Art Business Editor
Latest from Tim Schneider
Art World

What It Means for ICA Philadelphia to Become the First WAGE-Certified Museum—and Why Other Institutions Should Care

by Tim Schneider

Analysis

The Gray Market: How Art Basel Could Help—Rather Than Hurt—Midsize Galleries (And Other Insights)

by Tim Schneider

Art World

Cryptocurrencies, Explained: How Blockchain Technology Could Solve 3 Big Problems Plaguing the Art Industry

by Tim Schneider

Opinion

The Gray Market: Why We Shouldn’t Be Surprised by Helen Molesworth’s Firing (and Other Insights)

by Tim Schneider

Opinion

The Gray Market: Why the Most Important Armory Week Trends Were the Disruptive Ones (and Other Insights)

by Tim Schneider

Art Fairs

8 Irresistibly Elegant Booths at the 2018 Independent Art Fair

by Henri Neuendorf & Tim Schneider

Art World

5 High-Stakes Challenges Facing the Armory Show, and How New Director Nicole Berry Is Tackling Them Head-On

by Tim Schneider

Analysis

The Gray Market: Why Art Censorship Is Built Into Facebook’s DNA (and Other Insights)

by Tim Schneider

Art World

How Artist Simon Denny Is Turning Board Games Into Hilarious Critiques of Digital Capitalism

by Tim Schneider

Art World

Did Donald Trump Ruin a High-Concept Artistic Masterwork Inside His DC Hotel?

by Tim Schneider

Opinion

The Gray Market: What Galleries Can Learn From the Outrageous Success of Movie Reboots (and Other Insights)

by Tim Schneider

Art World

Reshaping Its Future, LA’s Hammer Museum Announces a $180 Million Fundraising Campaign

by Tim Schneider

Opinion

The Gray Market: Why Newfields, the Museum the Art World Loves to Hate, Was Inevitable (and Other Insights)

by Tim Schneider

Opinion

The Gray Market: Why Gagosian Might Be Death-Proof (and Other Insights)

by Tim Schneider

Art World

Cryptocurrencies, Explained: Why Artists Are Already Leaving Bitcoin Behind for Something Bigger

by Tim Schneider