Art World What It Means for ICA Philadelphia to Become the First WAGE-Certified Museum—and Why Other Institutions Should Care The news brings the practical and philosophical implications of WAGE's labor recommendations into focus. By Tim Schneider, Mar 28, 2018
Analysis The Gray Market: How Art Basel Could Help—Rather Than Hurt—Midsize Galleries (And Other Insights) From Art Basel to Christie's to the gallery world, our columnist weighs in on the ups and downs of new collaborations in the art business. By Tim Schneider, Mar 26, 2018
Art World Cryptocurrencies, Explained: How Blockchain Technology Could Solve 3 Big Problems Plaguing the Art Industry From authenticating digital art to skirting transaction costs, blockchain might solve a host of challenges—but there are obstacles too. By Tim Schneider, Mar 22, 2018
Opinion The Gray Market: Why We Shouldn’t Be Surprised by Helen Molesworth’s Firing (and Other Insights) Our columnist compares the Helen Molesworth saga to other curator-trustee conflicts, plus addresses a surefire way to spark controversy. By Tim Schneider, Mar 19, 2018
Opinion The Gray Market: Why the Most Important Armory Week Trends Were the Disruptive Ones (and Other Insights) Our columnist reports on the problem of spotting Armory Week trends and the old standards that forward-thinking galleries are leaving behind. By Tim Schneider, Mar 12, 2018
Art Fairs 8 Irresistibly Elegant Booths at the 2018 Independent Art Fair From pie graphs to itty-bitty handball courts, here are our highlights from the Tribeca-based fair. By Henri Neuendorf & Tim Schneider, Mar 9, 2018
Art World 5 High-Stakes Challenges Facing the Armory Show, and How New Director Nicole Berry Is Tackling Them Head-On The art-fair veteran discusses how to navigate the iconic event through the stormy waters of 2018—and beyond. By Tim Schneider, Mar 7, 2018
Analysis The Gray Market: Why Art Censorship Is Built Into Facebook’s DNA (and Other Insights) Our columnist explains how conservatism powers Facebook's business plan, and addresses disappearing sculptures and fake Basquiats. By Tim Schneider, Mar 5, 2018
Art World How Artist Simon Denny Is Turning Board Games Into Hilarious Critiques of Digital Capitalism The artist remixes games like Settlers of Catan—with a subversive twist. By Tim Schneider, Mar 1, 2018
Art World Did Donald Trump Ruin a High-Concept Artistic Masterwork Inside His DC Hotel? Trump International's chandeliers, TVs, and American flag may be stripping Robert Irwin's historic installation of its understated power. By Tim Schneider, Feb 27, 2018
Opinion The Gray Market: What Galleries Can Learn From the Outrageous Success of Movie Reboots (and Other Insights) Plus, our columnist examines Frieze Los Angeles's opening missteps and "animal spirits" in the art market. By Tim Schneider, Feb 26, 2018
Art World Reshaping Its Future, LA’s Hammer Museum Announces a $180 Million Fundraising Campaign Highlighted by an architectural makeover set for completion in 2020, the Hammer becomes the latest Los Angeles museum to shoot for the stars. By Tim Schneider, Feb 23, 2018
Opinion The Gray Market: Why Newfields, the Museum the Art World Loves to Hate, Was Inevitable (and Other Insights) A capsule history of museums proves that Newfields' director Charles Venable may be less of an iconoclast than he seems. By Tim Schneider, Feb 19, 2018
Opinion The Gray Market: Why Gagosian Might Be Death-Proof (and Other Insights) Our columnist tackles how Gagosian could outlast its founder and offers thoughts on the Getty's fundraising drive and digital art's future. By Tim Schneider, Feb 12, 2018
Art World Cryptocurrencies, Explained: Why Artists Are Already Leaving Bitcoin Behind for Something Bigger Why cryptocurrencies and the blockchain are becoming a favorite medium for the digital avant-garde. By Tim Schneider, Feb 6, 2018