Tim Schneider

Art Business Editor
Latest from Tim Schneider
Opinion

The Gray Market: Why Art Collecting Is Not Like an Oxycontin Addiction (and Other Insights)

by Tim Schneider

Analysis

The Gray Market: Why Christie’s ‘Salvator Mundi’ Sale Is Riskier Than It Seems (and Other Insights)

by Tim Schneider

Market

The Gray Market: Why Museums Can’t Compete With Private Collectors (and Other Insights)

by Tim Schneider

Market

The Gray Market: Why Art Basel’s New Ethics Rules Are Good News for the Market (and Other Insights)

by Tim Schneider

Art Fairs

A Fair Chance: Can Mid-Tier Galleries Really Survive by Moving Beyond Art Fairs?

by Tim Schneider

Analysis

The Gray Market: Why documenta 14’s Budget Mess Is More Complicated Than It Seems (and Other Insights)

by Tim Schneider

Analysis

The Gray Market: Why Galleries Shouldn’t Sell Primarily to Museums (and Other Insights)

by Tim Schneider

Analysis

The Gray Market: Why High Rents Make the Art World Boring (and Other Insights)

by Tim Schneider

Analysis

The Gray Market: Why There’s More to Sotheby’s Premiums Than Meets the Eye (and Other Insights)

by Tim Schneider

Opinion

The Gray Market: Why Bitcoin Won’t Jumpstart the Market for Digital Art (and Other Insights)

by Tim Schneider

Opinion

The Gray Market: Why the Rooney Rule Won’t Be Enough to Diversify Museums (and Other Insights)

by Tim Schneider

Opinion

The Gray Market: Why We Shouldn’t Punish Small Museums for Deaccessioning (and Other Insights)

by Tim Schneider

Analysis

The Gray Market: How to Make Sense of Artsy’s Latest Funding Round (and Other Insights)

by Tim Schneider

Analysis

The Gray Market: Why ‘Mutual Trust’ Is an Art-World Fable When It Comes to Sales Agreements (and Other Insights)

by Tim Schneider

Opinion

The Gray Market: Why Jimmie Durham Could Be the Art World’s Rachel Dolezal (and Other Insights)

by Tim Schneider