Tim Schneider

Art Business Editor
Latest from Tim Schneider
Analysis

How Dealers Are (Slowly) Rebooting Their Businesses to Take Software-Based Art Mainstream

by Tim Schneider

Art World

See These 5 Show-Stopping Works at Art Basel Unlimited 2018

by Tim Schneider

Art World

Motivated by ‘Rage and Hopelessness,’ Robert Longo Takes Aim at American Gun Violence in an Epic Work for Art Basel

by Tim Schneider

Analysis

The Gray Market: Why the Art Market Should Heed Warren Buffett’s Warning About ‘Short-Termism’ (and Other Insights)

by Tim Schneider

Analysis

Asia Has Officially Fallen for Contemporary Art: Postwar Sales Have Doubled as Collectors Chase the Hottest Names in Hong Kong

by Tim Schneider

Analysis

The Gray Market: Why Museums Like the Victoria & Albert Might Want to Take Political Sides (and Other Insights)

by Tim Schneider

Analysis

Field of Dreams: Why Major League Baseball Holds the Key to Solving the Midlevel Gallery Crunch

by Tim Schneider

Art World

The Gallery System Is Struggling. Here’s What It Can Learn About Sustainability From the World of Professional Sports

by Tim Schneider

Analysis

The Artists With the Top-Performing Auction Debuts Last Week Had One Thing in Common: They Weren’t White Men

by Tim Schneider

Analysis

The Gray Market: Why Portia de Rossi’s Art-Tech Startup Has a Hard Road Ahead (and Other Insights)

by Tim Schneider

Auctions

Sotheby’s Contemporary Sale Takes $391 Million, Highlighted by Basquiat, Hockney, and an ‘Epic’ Kerry James Marshall

by Eileen Kinsella & Tim Schneider

Art World

A Record-Breaking Brancusi Sets the Tone for Christie’s Buoyant $415.8 Million Impressionist and Modern Sale

by Tim Schneider

Auctions

Ahead of a Marathon Auction Week, Data Shows Skyrocketing Valuations and Changing Tastes at the Market’s Peak

by Tim Schneider

Auctions

The Art of Storytelling (and Marketing): How Christie’s Tailored the Rockefeller Narrative to Different Audiences Around the World

by Tim Schneider

Analysis

The Gray Market: Why Congressional Regulation Would Be a Gut Punch to Most American Art Dealers (and Other Insights)

by Tim Schneider