Tim Schneider

Art Business Editor
Latest from Tim Schneider
Market

New Report Finds Loans to Collectors Make Up 90 Percent of the $20 Billion Art Finance Market

by Tim Schneider

Art World

Beyond Daisies and Kitsch: An Older, Wiser Takashi Murakami Opens Up in a Candid Q&A

by Tim Schneider

On View

‘It’s About a Sort of Twisted Magic’: How One Artist at Frieze New York Is Revealing the Tricks of Racial Profiling

by Tim Schneider

Opinion

The Gray Market: Why Blockbuster Museum Shows Aren’t Actually Solving the Attendance Problem (and Other Insights)

by Tim Schneider

Analysis

How Danh Vo Rocketed to Market Stardom With Art Designed to Confound Collectors

by Tim Schneider

Opinion

The Gray Market: Why Renting Art to Your Own Company Can Quickly Become an Ethical Minefield (and Other Insights)

by Tim Schneider

Analysis

3 Ways the Art Industry Is Still Resisting Change—and Why the Market Is Doomed If It Doesn’t Catch Up

by Tim Schneider

Analysis

How Far Has the Photography Market Really Come? Four Data-Driven Conclusions From the Spring Photo Auctions

by Tim Schneider

Analysis

The Gray Market: Why Crowdfunding Could Be an Answer for Some Midsize Galleries (and Other Insights)

by Tim Schneider

Analysis

How Is Western Art Really Faring in Asia? 3 Trendlines From Hong Kong’s Spring Auctions Reveal the Changing Market

by Tim Schneider

Art World

The Gray Market: How to Tell the Difference Between Public Art and Artistic Advertising (and Other Insights)

by Tim Schneider

Art World

Wowed by the Auction Battle for ‘Salvator Mundi’? Hong Kong’s Epic Bidding Wars Put That to Shame

by Tim Schneider

Analysis

The Gray Market: Why the Brooklyn Museum Hiring Controversy Shows We Need Structural Action on Arts Diversity (and Other Insights)

by Tim Schneider

Art World

Unable to Pay Its Mounting Debts, the Montreal Biennial Has Filed for Bankruptcy

by Tim Schneider

On View

How Mariko Mori Used Robots and Ancient Metalwork Techniques to Create Her Latest Sculpture

by Tim Schneider