Art World Edward Bass’s Mega-Gift of $160 Million Will ‘Transform’ Yale’s Peabody Museum of Natural History The museum will use the donation to fund its renovation and expansion. By Tim Schneider, Aug 28, 2018
Opinion The Gray Market: Why the Debate Over Deaccessioning Might Really Be a Debate About America (and Other Insights) Our columnist digs back through American history to ask whether public opinion about deaccessioning is just a stand-in for something bigger. By Tim Schneider, Aug 27, 2018
On View In Atlantic City, Where Trump Built and Destroyed a Casino Empire, One Man Has Created an Odd Museum to the President’s Past The Atlantic City Trump Museum Project has gathered photos and Trump merch to tell the story of what The Donald left behind. By Tim Schneider, Aug 24, 2018
Opinion The Gray Market: Why Canceling NADA New York Feels Like Ending More Than ‘Just Another Fair’ (and Other Insights) Our columnist on the cancelation of NADA New York, a social-media gut check, and art as a symbol of gentrification. By Tim Schneider, Aug 13, 2018
Opinion The Gray Market: The Biggest Tension Behind Klaus Biesenbach’s New Gig at MOCA (and Other Insights) Our columnist on Klaus Biesenbach's main challenge at MOCA, France's Culture Pass, and a game-changing donor for social practice artwork. By Tim Schneider, Aug 6, 2018
Art World How Is Crowdfunding Working Out for Art Galleries? 4 Lessons From Postmasters and Other Dealers Giving Patreon a Try It's early days, but some lessons are becoming clear already. By Tim Schneider, Jul 30, 2018
Art World The Painter Mary Corse Is Having a Late-Career Market Moment. How She’s Handling It Offers 5 Lessons for Other Artists Here's the secret to the artist's "50-year journey to becoming an overnight success." By Tim Schneider & Eileen Kinsella, Jul 27, 2018
Analysis The Gray Market: Why Art Gallery Attendance Is the Wrong Metric to Measure (and Other Insights) Our columnist on lessons from the Chelsea Art Walk, a subsidized House for Artists, and the complications of New York's Culture Pass. By Tim Schneider, Jul 23, 2018
Exhibitions Can the FRONT Triennial Redefine the Meaning of Cleveland? Yes, But Not in the Way You Think By Tim Schneider, Jul 19, 2018
Analysis The Gray Market: Could Auction Houses Really Help Save Struggling Galleries? (and Other Insights) Our columnist follows the bread crumbs left by the rumor that Art Agency, Partners will offer gallery advisory services for a hefty fee. By Tim Schneider, Jul 16, 2018
On View See Highlights From the Wildly Ambitious, Just-Opened FRONT International Triennial in Cleveland Curated by Michelle Grabner, the exhibition debuts across Northeast Ohio with works by Kerry James Marshall, Michael Rakowitz, and many more. By Tim Schneider, Jul 13, 2018
People Cheim & Read Partner Adam Sheffer to Join Pace as Vice President The nearly 30-year gallery veteran and former ADAA president will begin his new artist-centric role in August. By Tim Schneider, Jul 9, 2018
Opinion The Gray Market: Why Record-Breaking Attendance Figures Don’t Answer Key Questions About the Met’s Admissions Policy (and Other Insights) Our columnist on the fog over the Metropolitan Museum of Art's visitor figures and a controversial peer-reviewed study about artists. By Tim Schneider, Jul 9, 2018
Analysis Is Everything We Know About Gallery E-Commerce Wrong? How David Zwirner and Gagosian’s New Initiatives Break the Rules With their new online viewing rooms, the mega-galleries are challenging ideas about what can (and can't) sell online in a changing art market. By Tim Schneider, Jul 9, 2018
Opinion The Gray Market: Why Mega-Gallery Podcasts and Magazines Mean More Than You Think (and Other Insights) Our columnist weighs David Zwirner's new podcast and the Gagosian Quarterly alongside Cheim & Read's pivot into "private practice." By Tim Schneider, Jul 2, 2018
