Opinion The Gray Market: Why Gagosian Might Be Death-Proof (and Other Insights) Our columnist tackles how Gagosian could outlast its founder and offers thoughts on the Getty's fundraising drive and digital art's future. By Tim Schneider, Feb 12, 2018
Art World Cryptocurrencies, Explained: Why Artists Are Already Leaving Bitcoin Behind for Something Bigger Why cryptocurrencies and the blockchain are becoming a favorite medium for the digital avant-garde. By Tim Schneider, Feb 6, 2018
Opinion The Gray Market: Why Frieze Los Angeles Would Be Dead on Arrival (and Other Insights) This week, our columnist draws on his LA gallery experience to chart the pitfalls of Frieze's potential westward expansion. By Tim Schneider, Feb 5, 2018
Galleries 5 Disruptive Trends Art Galleries Need to Understand If They Want to Survive At this year’s Talking Galleries symposium in Barcelona, the debates boiled down to a few core issues. Here they are. By Tim Schneider, Jan 30, 2018
Analysis The Gray Market: Why Sotheby’s Acquisition of an AI Startup Won’t Disrupt the Industry (and Other Insights) Our columnist explains why app Thread Genius will matter most to novice buyers and touches on LACMA's latest expansion and AWOL bidders. By Tim Schneider, Jan 29, 2018
Analysis The Gray Market: A Simple Trick to Tell If a Museum Scandal Is Really Worth Caring About (and Other Insights) Our columnist suggests a handy ‘acid test’ for museum scandals, and weighs in on the TEFAF report's demise and Google Arts & Culture. By Tim Schneider, Jan 22, 2018
Art World Cryptocurrencies, Explained: The Beginner’s Guide the Art World Needs Right Now In the first of our three-part series, Tim Schneider offers an art-world primer on the technology everyone is talking about—but few understand. By Tim Schneider, Jan 18, 2018
Analysis The Gray Market: The Unknown Cost of Keeping Art in Museum Storage (and Other Insights) Our columnist asks why it's a museum taboo to talk about the value of art kept in reserve, and questions how we measure mega exhibitions. By Tim Schneider, Jan 15, 2018
Analysis The Gray Market: Why the Met’s Ticket Prices Are Not the Problem (and Other Insights) Our columnist delves into the Met's controversial new admission policy—and explains why a lasting solution won't come from the box office. By Tim Schneider, Jan 8, 2018
Analysis Eight Hair-Raising and Highly Specific Predictions for the Art Market in 2018 What will the coming year hold for art fairs, galleries, and the art business in general? Tim Schneider ventures a few prognostications. By Tim Schneider, Jan 5, 2018
Analysis The Gray Market: What the ‘Salvator Mundi’ Whodunnit Says About Saudi Soft Power (and Other Insights) How a $450 million da Vinci and a handful of petrocrats siphoned much of the art-market oxygen out of Art Basel in Miami Beach. By Tim Schneider, Dec 11, 2017
Art World The Gray Market: Why America Might Not Need Yet Another All-Star Biennial (and Other Insights) A critical take on biennial bloat as Kansas City dreams big and the most Instagrammed museums in the world. By Tim Schneider, Dec 4, 2017
Art World The Gray Market: What the Berkshire Museum Saga Tells Us About the Future of Philanthropy (and Other Insights) This week, our columnist asks why the endowment of regional museums is a 100 times less than big-city ones—and offers his take on Tom Campbell’s Instagram kerfuffle over 'Salvator Mundi.' By Tim Schneider, Nov 27, 2017
Analysis Why Would Anyone Pay $450 Million for the ‘Salvator Mundi’? Because They’re Not Buying the Painting An attempt to psychoanalyze the buyer of Leonardo da Vinci's 'Salvator Mundi.' By Tim Schneider, Nov 17, 2017
Opinion The Gray Market: What Art-Fair Schedules Tell Us About the Market (and Other Insights) This week, our columnist asks why Frieze really decided to add an extra VIP day to its New York fair—and he questions the speed with which the Armory director was shown the art fair’s door. By Tim Schneider, Nov 13, 2017
