Tim Schneider

Art Business Editor
Latest from Tim Schneider
The Gray Market

How the Art and Music Industries Have Begun to Value Young Talent Differently—and Why It Matters

by Tim Schneider

The Back Room

The Back Room: Beyond Imagination

by Tim Schneider & Naomi Rea

The Gray Market

What Galleries Can Learn About Poaching Artists From Soccer Star Neymar’s Transfer Deal Gone Wrong

by Tim Schneider

The Back Room

The Back Room: Paris Goes Boom

by Tim Schneider & Naomi Rea

The Gray Market

How to Avoid the Worst Traps of the A.I.-Assisted Artwork Debate

by Tim Schneider

The Back Room

The Back Room: Keep Calm and Carry Cash

by Tim Schneider & Naomi Rea

The Gray Market

Why Artists Getting Involved With Shared Virtual Worlds May Do Well to Look Beyond the Zuckerverse

by Tim Schneider

The Back Room

The Back Room: Out With the Old

by Tim Schneider & Naomi Rea

The Gray Market

In a World Where Decisions Are Driven by Data, Art Leaders Risk Making Big Mistakes—by Not Properly Reading the Numbers

by Tim Schneider

Art Collectors

What I Buy and Why: How Alex Junhwan Ko Built a Quirky, Brainy Collection of Digitally Inflected Art

by Tim Schneider

The Gray Market

Auctioneers Are Gatecrashing the Primary Market. But That Might Not Be a Terrible Thing

by Tim Schneider

The Back Room

The Back Room: Surreal Season

by Tim Schneider & Naomi Rea

The Gray Market

Two Buzzy Hybrid Projects Have a Lot to Teach Us About the Uneasy Merger Between Crypto and Physical Art

by Tim Schneider

The Back Room

The Back Room: Seoul Focus

by Tim Schneider & Naomi Rea

Art Collectors

What I Buy and Why: South Korean Collector Youngsang Lee on Loving Art Enough to Brush One of His Sculpture’s Wigs

by Tim Schneider