(526 results)
The Back Room

The Back Room: Brave New World

by Tim Schneider & Julia Halperin

Art History

Across the U.S., Museums Are Exploring Spiritualism and the Occult as Powerful, Unsung Forces in Art History

by Eleanor Heartney

Art Criticism

The 2022 Venice Biennale Is an Artistically Outstanding, Philosophically Troubling Hymn to Post-Humanism

by Ben Davis

Art World

Spirituality Has Long Been Erased From Art History. Here’s Why It’s Having a Resurgence Today

by Eleanor Heartney

Art World

Kenny Schachter on Art and Horse-Racing in St. Moritz

by Kenny Schachter

Art & Exhibitions

How Hardcore Can Art Get? Does A.I. Need Therapy? And Other Thoughts in the Air at London Gallery Weekend

by Naomi Rea

Market

Why the Pandemic Will Actually Strengthen the Art Experience Economy—and the Old-Fashioned Gallery Business, Too

by Tim Schneider

Opinion

The Gray Market: Why the Most Important Armory Week Trends Were the Disruptive Ones (and Other Insights)

by Tim Schneider

On View

Here Are the 10 London Shows Everyone Will Be Talking About During Frieze Week

by Naomi Rea & Javier Pes

Opinion

The Gray Market: Why Selling the Mona Lisa Would Be a Ridiculous Way to Try to Dig France Out of Massive Debt (and Other Insights)

by Tim Schneider

Opinion

The Most Important Art Essays of the Year

by Ben Davis

Pop Culture

‘Barbie’ and ‘Oppenheimer’ Are Facing Off at the Movies and in Memes—But It’s the Unexpected Similarities That Tell Us Something About Culture Now

by Kate Brown

The Back Room

The Back Room: Working for the Weekend

by Artnet News

Art World

What Does It Mean to Be a ‘Biennial Artist,’ Anyway? Here Are the Traits That Unite the Most Successful Practitioners

by Ben Davis

Know Your Rights

Can an A.I. That Makes Its Own Unique Works Be Granted Copyright? + More Artists-Rights’ Questions, Answered

by Katarina Feder

The Gray Market

How to Avoid the Worst Traps of the A.I.-Assisted Artwork Debate

by Tim Schneider

Art World

We Hit Publish on Thousands of Stories in 2023. Here Are Some of Our Favorites

by Artnet News

Art & Exhibitions

In Ralph Rugoff’s Venice Biennale, the World’s Artists Take Planetary Doom as a Given, But Search for Joy Nonetheless

by Ben Davis

Analysis

Art Market Reset: Riding the Waves of Change

by Katya Kazakina

Art World

‘Art Becomes Retail Surprisingly Quickly’: How Marfa Went From Donald Judd’s Anti-Commercial Escape to a Mecca of Luxury Minimalism

by Kyle Chayka