Tim Schneider

Art Business Editor
Latest from Tim Schneider
The Back Room

The Back Room: A Taste of the Future

by Tim Schneider

The Gray Market

8 Highly Specific Predictions for the Art Industry in 2023 (Including an Art-Fair Death Foretold)

by Tim Schneider

The Gray Market

Artnet Newstradamus Tim Schneider Grades His 10 Highly Specific Art-World Predictions for 2022

by Tim Schneider

The Burns Halperin Report

Here Are 5 Concrete DEAI Policies Other Industries Have Used Successfully That the Art World Would Do Well to Consider

by Tim Schneider

The Gray Market

How Random International, Maker of the Immersive Sensation ‘Rain Room,’ Is Bringing the Experiential Art Business Into the 21st Century

by Tim Schneider

The Back Room

The Back Room: Initial Descent?

by Tim Schneider & Naomi Rea

The Gray Market

Why the Crypto Winter Could Actually Be a Good Thing for Digital Art

by Tim Schneider

The Gray Market

What the Colossal Failure of FTX Means for Art Basel’s Efforts to Thrust the Art Industry Into Its Crypto Era

by Tim Schneider

Artnet News Pro

Smart Contracts Are Artists’ Best Weapon in the Fight Against Flippers. Here’s How They Work

by Tim Schneider

Artnet News Pro

A No-Nonsense Accounting Shows That Last Week’s $1.6 Billion New York Fall Auctions Were… Kind of a Dud

by Tim Schneider

The Back Room

The Back Room: The Gavel Grind

by Tim Schneider & Julia Halperin

The Gray Market

What the Gagosian-LVMH Rumor—and the Art World’s Obsession With It—Tells Us About the Future of the Industry

by Tim Schneider

The Back Room

The Back Room: One Point Five Billion Dollars

by Tim Schneider & Naomi Rea

The Gray Market

What the Rising Tide of Art Vandalism Tells Us About Where We Are Headed as a Culture

by Tim Schneider

The Back Room

The Back Room: Fighting the Flippers

by Tim Schneider & Naomi Rea