Artnet News Pro Smart Contracts Are Artists’ Best Weapon in the Fight Against Flippers. Here’s How They Work Here is everything you need to know to understand smart contracts—and how they can make the market more equitable. By Tim Schneider, Nov 23, 2022
Artnet News Pro A No-Nonsense Accounting Shows That Last Week’s $1.6 Billion New York Fall Auctions Were… Kind of a Dud It's fair to say a correction to the speculative bonanza has arrived. By Tim Schneider, Nov 21, 2022
The Back Room The Back Room: The Gavel Grind This week: assessing the auction cycle’s end, counting other people’s money, Betye Saar’s latest milestone, and much more. By Tim Schneider & Julia Halperin, Nov 18, 2022
The Gray Market What the Gagosian-LVMH Rumor—and the Art World’s Obsession With It—Tells Us About the Future of the Industry Our columnist reassesses the hottest art-world rumor of 2022 to show that merging luxury retail with mega-galleries is harder than it looks. By Tim Schneider, Nov 16, 2022
The Back Room The Back Room: One Point Five Billion Dollars This week: Christie’s makes auction history, a Frida Kahlo legal conundrum, trophy lots keep rising, and much more. By Tim Schneider & Naomi Rea, Nov 11, 2022
The Gray Market What the Rising Tide of Art Vandalism Tells Us About Where We Are Headed as a Culture Our columnist connects the targeting of artworks in museums, on television, and in the art market to the troubling trajectory of culture at large. By Tim Schneider, Nov 9, 2022
The Back Room The Back Room: Fighting the Flippers This week: new resistance against rapid resales, a national shakeup at auction, Henry Taylor gets down to earth, and much more. By Tim Schneider & Naomi Rea, Nov 4, 2022
The Gray Market How the Art and Music Industries Have Begun to Value Young Talent Differently—and Why It Matters Our columnist investigates why fine art and pop music seem to have been taking opposite approaches to new talent since 2019. By Tim Schneider, Nov 2, 2022
The Back Room The Back Room: Beyond Imagination This week: A.I. upending the art-making business, a new Castelli to know, an antiquities reckoning, and much more. By Tim Schneider & Naomi Rea, Oct 28, 2022
The Gray Market What Galleries Can Learn About Poaching Artists From Soccer Star Neymar’s Transfer Deal Gone Wrong Our columnist kicks up art-market lessons from the curious case of soccer superstar Neymar's fraud and corruption trial. By Tim Schneider, Oct 26, 2022
The Back Room The Back Room: Paris Goes Boom This week: Paris+ gets in the game, Gilbert and George get anti-woke, a trustee gets auction-y, and much more. By Tim Schneider & Naomi Rea, Oct 21, 2022
The Gray Market How to Avoid the Worst Traps of the A.I.-Assisted Artwork Debate Our columnist consults with two visionary artists on the hottest topic in art and tech: what is the future of A.I.-assisted artwork? By Tim Schneider, Oct 19, 2022
The Back Room The Back Room: Keep Calm and Carry Cash This week, Frieze London in a flash, Paris+ on the horizon, Lucian Freud up for reappraisal, and much more. By Tim Schneider & Naomi Rea, Oct 14, 2022
The Gray Market Why Artists Getting Involved With Shared Virtual Worlds May Do Well to Look Beyond the Zuckerverse Our columnist combs through reams of recent press on Meta to chart the struggles and dangers of its shared virtual world to art and culture. By Tim Schneider, Oct 12, 2022
The Back Room The Back Room: Out With the Old This week: a new museum deaccessioning standard, Frank Stella’s extended family drama, bidders go gaga for Kaga, and much more. By Tim Schneider & Naomi Rea, Oct 7, 2022
