Artnet News Pro ‘Inequalities Are Never Bad for the Art Market’: Economist Françoise Benhamou on What the Financial Headwinds Portend for the Industry From the pandemic to "wokeism," the French economist weighs in on the most pressing issues in today's art market. By Anna Sansom, Nov 7, 2022
The Art Detective The Rumor That LVMH Is Buying Gagosian Just Won’t Die. There May Be Something to It—But Not What You Think People inquiring about whether the world's largest art gallery is for sale may be asking the wrong question. By Katya Kazakina, Nov 4, 2022
Wet Paint The Skinny on Anna Weyant’s Primary Market Prices, Art Job Salaries Laid Bare, and More Juicy Art World Gossip Plus, which galleries piqued Michelle Obama's interest last week? And who got a proposal at the Crystal Bridges Museum of Art? By Annie Armstrong, Nov 4, 2022
The Back Room The Back Room: Fighting the Flippers This week: new resistance against rapid resales, a national shakeup at auction, Henry Taylor gets down to earth, and much more. By Tim Schneider & Naomi Rea, Nov 4, 2022
Wet Paint Wet Paint in the Wild: Ursula Von Rydingsvard Plays With Chainsaws and Sees Her Sculptures Transformed Into Cookies The octogenarian sharpens her blades as she prepares for an exhibition at Galerie Lelong & Co. By Annie Armstrong, Nov 3, 2022
The Gray Market How the Art and Music Industries Have Begun to Value Young Talent Differently—and Why It Matters Our columnist investigates why fine art and pop music seem to have been taking opposite approaches to new talent since 2019. By Tim Schneider, Nov 2, 2022
Ask an Art Advisor Is It Immoral to Buy Work Directly Out of a Young Artist’s Studio? Here’s What a Trusted Art Advisor Has to Say Plus, which artists are the most recession-proof, and is splitting sales evenly with my gallery really the fair thing to do? By Wendy Goldsmith, Nov 1, 2022
Artnet News Pro Alex Katz Was ‘Always a Bit of a Loner.’ Now, at Age 95, Collectors Won’t Leave Him—or His Spiking Market—Alone After more than eight decades of embracing flat,figurative painting, artist Alex Katz is getting the recognition he deserves. By Eileen Kinsella, Oct 31, 2022
The Art Detective Paul Allen’s Collection Is the Most Expensive Ever to Come to Auction—But There’s Even More Where That Came From The late Microsoft cofounder's art collection is poised to bring in more than $1 billion—but there's at least $500 million worth leftover. By Katya Kazakina, Oct 28, 2022
The Back Room The Back Room: Beyond Imagination This week: A.I. upending the art-making business, a new Castelli to know, an antiquities reckoning, and much more. By Tim Schneider & Naomi Rea, Oct 28, 2022
Wet Paint Wet Paint in the Wild: Artist Jeanette Hayes Takes Us on a Psychedelic Romp Through Paris Just look at how the artist ran with the prompt! By Annie Armstrong, Oct 27, 2022
The Intelligence Report Download the Fall 2022 Artnet Intelligence Report Here The insight-packed issue of the fall 2022 Artnet Intelligence Report is here—exclusively for Artnet News Pro members. By Artnet News, Oct 27, 2022
The Gray Market What Galleries Can Learn About Poaching Artists From Soccer Star Neymar’s Transfer Deal Gone Wrong Our columnist kicks up art-market lessons from the curious case of soccer superstar Neymar's fraud and corruption trial. By Tim Schneider, Oct 26, 2022
Artnet News Pro Here Are 7 Artists Poised to Break Out From Paris’s Jam-Packed Week of Art Fairs We scouted up-and-coming talent in the aisles of Paris+ by Art Basel, Paris Internationale, and Asia Now. By Artnet News, Oct 25, 2022
Artnet News Pro Price Check! Here’s What Sold—and For How Much—at the Inaugural Edition of Art Basel’s Paris+ Fair Here's what dealers say they sold at the inaugural edition. By Artnet News, Oct 24, 2022
